đđľđđ Read 8 Musicals that You Might Not Know Were Based on Books by Emily Neuberger.
I’ve been grieving the fact that public performances likely won’t be a thing for the next couple of years. I grieve it both as an audience member and as a performer. Neuberger’s book is going on my to-read list, as her main character’s early experiences with musicals are nearly identical to mine. The musicals and books she writes about are now on my radar if they weren’t, or things I’m going to make a point to revisit if I was already familiar with them.
I bet Neuberger’s book would pair well with The Secret Life of the American Musical, which acts as a Poetics for musicals, describing their shared structural features.
This is the website of Kimberly Hirsh. The subtitle of this site comes from the description of woodland goth on the Aesthetics wiki.
â An IndieWeb Webring â

I acknowledge that I live and work on unceded Lumbee, Skaruhreh/Tuscarora, and Shakori land. I give respect and reverence to those who came before me. I thank Holisticism for the text of this land acknowledgement.
We must acknowledge that much of what we know of this country today, including its culture, economic growth, and development throughout history and across time, has been made possible by the labor of enslaved Africans and their ascendants who suffered the horror of the transatlantic trafficking of their people, chattel slavery, and Jim Crow. We are indebted to their labor and their sacrifice, and we must acknowledge the tremors of that violence throughout the generations and the resulting impact that can still be felt and witnessed today. I thank Dr. Terah âTJâ Stewart for the text of this labor acknowledgement.