Portrait of the Mother as an Artist – Guernica guernicamag.com

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To think of the mother as artist does not necessitate a conflict, nor does it require a choice between passive domestic surrender or total domestic rejection, although for a long time the world demanded that it did. Such frames only reinforce hierarchies, limit her to merely a fragment when, of course, she is com posed of many pieces.

Craft — a designation used to subjugate many art-making practices that have been the domain of women: needlepoint, pottery, quilt making. With their connections to the home, these mediums have been historically dismissed, supposedly lacking the rigor and intellectual complexity of high art.

“I have drawn my children and painted them endlessly and I cannot distinguish them from my soul…"

she sometimes wonders why an artist must inhabit turmoil or drama to be taken seriously.

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Kimberly Hirsh, PhD @KimberlyHirsh
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 This work is licensed under CC BY-NC-SA 4.0 .

I acknowledge that I live and work on unceded Lumbee, Skaruhreh/Tuscarora, and Shakori land. I give respect and reverence to those who came before me. I thank Holisticism for the text of this land acknowledgement.

We must acknowledge that much of what we know of this country today, including its culture, economic growth, and development throughout history and across time, has been made possible by the labor of enslaved Africans and their ascendants who suffered the horror of the transatlantic trafficking of their people, chattel slavery, and Jim Crow. We are indebted to their labor and their sacrifice, and we must acknowledge the tremors of that violence throughout the generations and the resulting impact that can still be felt and witnessed today. I thank Dr. Terah ‘TJ’ Stewart for the text of this labor acknowledgement.