Austin Kleon introduced me to a newsletter issue in which director and writer Mark Slutsky talks about the feeling of being in good hands:

I’ve come to trust a certain feeling that comes over me when I first make contact with a piece of art. The opening lines of a book; the first 30 seconds or so of a movie; bars of a song, etc. It is a feeling of being in good hands, an intuitive sense that the author knows what they are doing and that the experience will be worth my time.

I felt this way as soon as I read the first sentence of Cat Sebastian’s We Could Be So Good:

Nick Russo could fill the Sunday paper with reasons why he shouldn’t be able to stand Andy Fleming.

I loved that book so much, so I was thoroughly psyched to get the chance to read an advanced reading copy for You Should Be So Lucky, a novel set in the same mid-20th-century America narrative world, about a grouchy, grieving arts reporter and the golden retriever/foulmouthed jerk baseball player whose slump the editor of Mark’s newspaper has tasked him with writing about. As often happens in a romance, these two knuckleheads learn, grow, and fall in love, not necessarily in that order.

What I loved: So much. Woof. Hard to even think of how to explain it all. I’ll start by saying that mostly, I love these two characters, and most especially I love Mark, who is a snarky reporter with a squishy heart, who simultaneously so appreciates the way his deceased partner William made him feel worthwhile and loathes the way William’s political ambitions meant that they could never seem even at all possibly queer. I just love him so much. I imagine him as a young Trent Crimm (from Ted Lasso, in case you’re not familiar).

I love Eddie, too, his inability to hide his feelings just ever. His willingness to throw caution to the wind and let his blossoming friendship with Mark just exist in the world without constantly looking over his shoulder about it. His beautiful relationship with his mother and his own bruised heart in the face of learning he was about to be traded to a team that would take him far from his home and everything he knew.

What I wanted more of: Let’s be clear. There is nothing that I’m like, “Cat Sebastian didn’t do enough of that,” because Cat Sebastian is awesome. But let’s also be clear. I will read more of whatever Cat Sebastian wants to write, and if she wrote a lovely Christmas novella about Nick and Andy (from We Could Be So Good) and Mark and Eddie all being at a Christmas party together, I would read it so hard.

What I need to warn you about: This book is about two dudes falling in love, so if you don’t want to read about that, skip it. There is some spice but the language isn’t very explicit. I’d say, medium-ish, maybe slightly less than medium spice? There are some of the kind of things that people usually want content warnings about: death of a partner before the book starts, period-appropriate homophobia, parents kicking a son out due to their own homophobia.

Who should read this: People who want a romance with a lot of interiority, minimal conflict between the two main characters, people who like baseball mixed in with their love.

The thing about Gwenda Bond is that she’ll take your favorite microgenre or trope, mix some magic in, and give you a whole new story to enjoy. Which is exactly what she does with The Frame-Up. She takes an art heist story and adds in magic powers that make people good at their roles: mastermind, hacker, and more.

But Gwenda’s website tagline for a while was “High Concept with Heart,” and even more than the magic, the heart is what really makes The Frame-Up shine. This is a story about a daughter dealing with the fallout of betraying her mother and learning how to be right with herself whether or not her mother ever forgives her.

Here’s the publisher’s description:

A magically gifted con artist must gather her estranged mother’s old crew for a once-in-a-lifetime heist, from the author of Stranger Things: Suspicious Minds.

Dani Poissant is the daughter and former accomplice of the world’s most famous art thief, as well as being an expert forger in her own right. The secret to their success? A little thing called magic, kept rigorously secret from the non-magical world. Dani’s mother possesses the power of persuasion, able to bend people to her will, whereas Dani has the ability to make any forgery she undertakes feel like the genuine article.

At seventeen, concerned about the corrupting influence of her mother’s shadowy partner, Archer, Dani impulsively sold her mother out to the FBI—an act she has always regretted. Ten years later, Archer seeks her out, asking her to steal a particular painting for him, since her mother’s still in jail. In return, he will reconcile her with her mother and reunite her with her mother’s old gang—including her former best friend, Mia, and Elliott, the love of her life.

The problem is, it’s a nearly impossible job—even with the magical talents of the people she once considered family backing her up. The painting is in the never-before-viewed private collection of deceased billionaire William Hackworth—otherwise known as the Fortress of Art. It’s a job that needs a year to plan, and Dani has just over one week. Worse, she’s not exactly gotten a warm welcome from her former colleagues—especially not from Elliott, who has grown from a weedy teen to a smoking-hot adult. And then there is the biggest puzzle of all: why Archer wants her to steal a portrait of himself, which clearly dates from the 1890s, instead of the much more valuable works by Vermeer or Rothko. Who is her mother’s partner, really, and what does he want?

What I loved

The art, honestly. Great descriptions of art and art periods. Dani is a character with a clear love and respect for the art she forges. The heist crew vibes: everybody’s got their role and while Dani is working with her mom’s estranged team, there is still love there between herself and Mia and Elliott, the two other members of the team close to her age. The intense interiority: always seeing inside Dani’s heart, her desire for her mother’s approval, her regret about her past actions. Most of all, Dani’s sweet dog Sunflower.

What I need to warn you about

Not much here, except there are some really garbage parents and their adult kids are dealing with the repercussions of having been raised by such rotten people.

What I wanted more of

I mean, I would read a lot more heists with this crew, so… Sequels?

Who should read this

People who like fantasy set in our world. People who like heists and secrets. People who like paintings. People who like reading about fancy rich folks. People who like reading about Kentucky. People who like border collies.

Book: The Frame-Up
Author: Gwenda Bond
Publisher: Del Rey
Publication Date: February 13, 2024
Pages: 352
Age Range: Adult
Source of Book: ARC via NetGalley

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Do you wish Dan Brown books were sexy and full of pop culture references? Do you like your religious artifact stories with comedy and kissing? Have I got the books for you!

Gwenda Bond’s books are always The Most Fun and her madcap fantasy romance duology is no exception.

First up, NOT YOUR AVERAGE HOT GUY:

Callie is a recentish college grad with no particular direction in life but a great love of books, learning, and creepy religious lore. She also works at her mom’s escape room. When Callie designs an immersive culty room and puts a book in it that is ACTUALLY an arcane artifact, cultists come to claim it and try to use it to release a demon on earth to bring about the end times. But instead they summon Luke, the super sexy prince of Hell. Wackiness ensues as Callie and Luke must team up to find the Holy Lance (that’s the Spear of Destiny for you The Librarian fans) and keep it from the cultists (who don’t actually know that Luke isn’t the demon they were trying to summon). To do so, they travel through painful demon magic, bopping around the world in a way that would make an Indiana Jones map look like Charlie Kelly’s conspiracy board:

Because you know how romance works, you know that they figure it out and get a Happy For Now. It’s important that it’s a HFN because a Happily Ever After wouldn’t leave room for the sequel:

THE DATE FROM HELL

Callie and Luke are happily dating now and they have an amazing date planned. But they also have a bit of a revolution planned: Callie wants to petition Lucifer to reconsider the damnation of people like Agnes, a 12-year-old girl who really probably should not have been sent to hell and certainly isn’t an adult by modern standards. Lucifer agrees to a meeting — on the day Callie and Luke are scheduled to have their big date. Which also happens to be the same day Callie is supposed to be helping her mom with a big escape room event to raise the money to make repairs after the mess she and Luke got into in NOT YOUR AVERAGE HOT GUY. Lucifer says that Callie and Luke have 72 hours to prove that they can redeem someone who deserves to be released from hell. The person he chooses is Sean, a lost-Hemsworth-brother-type/international art thief who oh, by the way, is a Grail seeker. More wacky hijinks ensue, more traveling by map, and more Arthuriana than you can shake Excalibur at. (Excalibur isn’t in the book to my recollection, by the way.) I briefly found myself thinking for a moment, “How wild is all this Arthuriana just happening in Callie’s real life?” before remembering that OH YEAH HER BOYFRIEND IS THE PRINCE OF HELL.

Because it’s a romance, it ends with a tidy Happily Ever After (leaving Gwenda free to work on other romances like MR. & MRS. WITCH). Callie figures a lot of stuff out, so does Luke, and they get to be together, yay. (And if you consider that a spoiler, romance probably isn’t the genre for you.)

What I loved

So many things! But here’s a partial list:

• The meticulous attention to detail with respect to all the mystical artifacts
• Callie’s supreme nerdiness
• Detailed Escape Room stuff
• Pop culture references aplenty (Wondering if you share Callie’s opinion on Season 4 of Veronica Mars? Read THE DATE FROM HELL to find out!)
• The love that radiates from Luke whenever Callie Callies all over the place - seriously, I haven’t read this much warmth in a romance novel since I don’t know when (because warmth is different than heat)
• Lilith. I just love her, okay?
• Porsoth, a polite Owl Pig Demon who is a bit stuffy but can get scary when necessary
• The affection Callie has from her mom, her brother Jared, and her bff Mag (who uses they/them pronouns and nobody ever makes it a thing)
• What Gwenda does with Arthur and Guinevere, can’t say more or it’ll spoil you but big ONCE AND FUTURE graphic novel vibes

I can’t think of them all. If this isn’t a ringing endorsement, I don’t know what is: My whole family is going through a rough time right now and it makes it hard for me to immerse myself in a book. I would often read a chunk of THE DATE FROM HELL and then step away from it for a few days, but I ALWAYS CAME BACK. There are a lot of non-mandatory things I’m abandoning in life right now, but this book kept me returning.

What I need to warn you about

I really can’t think of much. I guess if you don’t like people being playful in stories about holy artifacts maybe skip these?

What I wanted more of

I can’t think of anything here either. Everything was exactly what it needed to be.

Who should read this

People who like Indiana Jones AND Sabrina (the Harrison Ford version). People who don’t know what to do with themselves and want to see somebody who also doesn’t know what to do with themself succeed at stuff. People who want a romance that is hot but not explicit. People who wished their were more badasses who were badass for reasons other than their ability to engage in combat (Callie is a badass and no one will convince me otherwise). People who need more fun in their lives.

Highly recommend.

Book: Not Your Average Hot Guy
Author: Gwenda Bond
Publisher: St. Martin’s Press
Publication Date: October 5, 2021
Pages: 320
Age Range: Adult
Source of Book: Library Book

Book: The Date from Hell
Author: Gwenda Bond
Publisher: St. Martin’s Press
Publication Date: April 5, 2022
Pages: 336
Age Range: Adult
Source of Book: ARC via NetGalley

Most people who know me know that the TV show Buffy the Vampire Slayer is one of my favorite things. It has been the dominant pop culture text in my life for almost 20 years, so of course my husband bought our son the BtVS picture book for his second birthday.

We read it for the first time a few nights ago, and, y’all, this is done so lovingly, I almost cried. If you love BtVS and you like picture books, pick this one up.

The plot is simple. This is, let’s say, an AU where Buffy lived in Sunnydale when she was in elementary school. Don’t think about canon too hard. The writers of the show didn’t, so we probably shouldn’t, either. Sixteen year old Buffy introduces herself at the beginning, then sends us in a flashback to when she was eight years old and afraid of the dark, because OF COURSE there is a monster in her closet.

And you know how BtVS is all about literalizing tropes, so… She’s not wrong. She recruits Willow, Xander, and Giles to help her with the problem, and of course through the power of friendship it all works out.

But where the whole thing shines is the little touches in the illustration. Each time I read it, I find a new BtVS easter egg. I don’t want to spoil too much, so here are just a couple examples.

Below, I’ve noted a few special  Sunnydale locations in the front endpapers in yellow.

Next, a few things worth noticing in Buffy’s room, this time in blue:

And this is just the beginning. Each page has tons of this stuff, and the book’s climax has the best references of all.

Right before the climax, though, we get this page:

And really, isn’t stepping into the darkness together what BtVS is all about?