Response to Charlie Jane Anders's "What the Universal Translator Tells Us About Exploring Other Cultures"

πŸ”–πŸ“πŸ“šπŸ“ΊπŸΏ Read What the Universal Translator Tells Us About Exploring Other Cultures by Charlie Jane Anders (Happy Dancing newsletter).

Anders talks about the way a universal translator gives us shortcuts to understanding other cultures that don’t really show how hard it is to actually understand another culture.

She offers a lot of examples of this and asks,

How is it that Han Solo understands Chewbacca, but doesn’t speak Wookiee himself? And vice versa?

It’s been a long time since I was getting my Master of Arts in teaching and had to take a course on how Language Acquisition happens (almost 20 years), but I recall that we tend to understand much more of a language than we can speak, and I’ve certainly found that to be true recently.

For W’s Fulbright, we spent two months in the Netherlands, and had learned some very basic Dutch using Duolingo before heading over there. I often didn’t understand what people were saying, but I always understood more of what they were saying than I could ever speak myself.

Our first week there, some young people overheard my son saying his favorite Dutch word, “kat,” on the bus. They asked us about our being Americans and then one of them wanted to know if we were full of “kattenkwaad.” We didn’t know this word, and the person who asked didn’t know English well enough to explain it, but his friend tried.

I asked if it meant behaving like a cat, and he indicated not exactly. He tried to explain by example: pushing the stop button on the bus, then not getting off when the bus stopped.

“Oh, like, pranks!” I said.

“Yes, like pranks.”

“Mischievous,” my sister suggested. He wasn’t sure about that one.

Weeks later, I found this book in the shop a short walk from our house:

Dutch book: Eerste Hulp Bij Kattenkwaad - First Aid for Mischief

Google translates this title as “First Aid for Mischief: The Survival Guide for Cat Parents.”

I don’t think it captures the sense entirely, based on our bus conversation, but it’s hard to be sure.


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No dissertation is worth a lifetime of revision.

William Germano, From Dissertation to Book


Finished reading: Guards! Guards! by Terry Pratchett πŸ“š

My first finished Discworld. Reading Piers Anthony feels like coming home (miss me with your takes on him, please, I know his flaws). Reading Terry Pratchett feels like visiting a treasured friend. A lot of fun here.


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Learn how to revise and you will produce a better first book. Remember it and you will enjoy writing the books to follow.

William Germano, From Dissertation to Book


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Revision is unromantic, time-consuming, tiring. It is also the only way to make one’s writing better.

William Germano, From Dissertation to Book


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Writing isn’t a record of your thinking. It is your thinking.

William Germano, From Dissertation to Book


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Revision is a job for optimists.

William Germano, From Dissertation to Book


πŸ’¬πŸ“šπŸ“πŸ““

…the operating instructions of scholarly publishing rarely form a part of graduate training…

William Germano, From Dissertation to Book


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Write everything you want published as if there are people who make decisions and work within limited budgetsβ€”their checkbooks, or their libraries' acquisition budgets.

William Germano, From Dissertation to Book


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Want to read: Pre-Raphaelite Vision: Truth to Nature by Allen Staley πŸ“š



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Want to read: Pre-Raphaelites: Victorian Avant-Garde by Tim Barringer,T. J. Barringer πŸ“š


Want to read: The Pre-Raphaelites in Literature and Art by Dennis Sydney Reginald Welland πŸ“š


Want to read: Reading the Pre-Raphaelites by Tim Barringer πŸ“š


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I love the Gothic Charm School book very much and am happy to have bought it as an ebook so I can re-read it as I travel, but I miss the special font for the Secret Goth Cabal. πŸ’€πŸ“š