Sent my mom the Six of Crows duology for her Kindle. Pretty pleased with myself. πŸ“š



Life just ran more smoothly when she got her way. Leigh Bardugo, KING OF SCARS

πŸ’¬πŸ“š


Finished reading: The Language of Thorns: Midnight Tales and Dangerous Magic by Leigh Bardugo πŸ“š

I definitely want to write a longer review of this one, but I need some time to sit with it first. I love it.


What gave her strength then? We cannot know for sure. That contrary thing inside her? The hard stone of rage that all lonely girls possess? - Leigh Bardugo, THE LANGUAGE OF THORNS πŸ’¬πŸ“š


Easy magic is pretty. Great magic asks that you trouble the waters. It requires a disruption, something new.Leigh Bardugo, THE LANGUAGE OF THORNS

πŸ’¬πŸ“š


My reading life πŸ“š

Since the Micro.blog community is starting a reading group in the near future, I thought it would be a good time to talk about my reading habits and tastes.

My favorite books I’ve read in recent years are Tamsyn Muir’s GIDEON THE NINTH, Silvia Moreno-Garcia’s MEXICAN GOTHIC, and Tracy Deonn’s LEGENDBORN. My favorite book of all time is Piers Anthony’s ON A PALE HORSE. (I’m aware my fave is problematic. I love his books anyway.) I first read it in seventh grade. It was the first urban fantasy book I had ever read and I loved that it combined an interesting world, cool philosophical and metaphysical ideas, and characters I loved.

I read widely and enjoy many popular genres. My default fiction genre of choice is fantasy. I also really enjoy soft science fiction, cozy mystery, and Regency romance. I rarely like realistic or literary fiction, but sometimes an author or book in those categories will catch my interest. I read a lot of nonfiction, too, usually focused on my latest obsession or professional needs.

Right now I’m reading Leigh Bardugo’s THE LANGUAGE OF THORNS, Caitlin Doughty’s SMOKE GETS IN YOUR EYES AND OTHER LESSONS FROM THE CREMATORY, and Kelly J. Baker’s SEXISM ED.

I read physical books, ebooks, audiobooks, and sequential art (comics/graphic novels).

I tend to read books marketed as young adult or adult books that crossover well to a teen audience. This is partly because of my professional history as a high school teacher and middle school librarian and partly because I love a good bildungsroman. I love the possibility and promise of the teen years. Also, I think reading should be fun.

I’m really impressed by authors who can create an evocative sense of place, like Erin Morgenstern or Alicia Jasinka.

I love to chat books and recommend reads, so please feel free to get in touch if you’d like to talk about books!


Currently reading: The Language of Thorns: Midnight Tales and Dangerous Magic by Leigh Bardugo πŸ“š

I have so much respect for how dark Bardugo is willing to go with these fairytales. The twist is consistent but shocks me each time.


I started reading A Court of Thorns and Roses because it’s, um, overdue & 9 people have it on hold (sorry people, thanks library for eliminating fines). I don’t know why I waited so long to start this series. It’s very much my thing. πŸ“š


Want to read: The Comedy of Survival: Literary Ecology and a Play Ethic by Joseph W. Meeker πŸ“š


Want to read: Dead Collections: A Novel by Isaac Fellman πŸ“š


My time is vampire time: The critical disability studies concept of "crip time" πŸ“šβ™Ώ

I’ve seen and heard a lot of people in the Micro.blog community discuss the book Four Thousand Weeks: Time Management for Mortals. The hold list on this at my library is inordinately long; if I put a hold on it now I might get to read it in 3 - 5 months. So I decided to read the sample of it, to help me decide I’d like to buy it.

As I was reading the introduction, I kept thinking about how my 4000 weeks have a different shape than many other people’s 4000 weeks, different than healthy people’s 4000 weeks. I kept thinking of the concept of “crip time,” which I’d heard but didn’t really understand beyond the concept that time seems to move differently when you’re disabled. This thinking was distracting me from actually reading the book, so I turned to the web to help me get a firmer understanding of “crip time.”

It led me to Ellen Samuels’s essay, Six Ways of Looking at Crip Time, which was exactly what I needed. Samuels quotes Alison Kafer, who says

rather than bend disabled bodies and minds to meet the clock, crip time bends the clock to meet disabled bodies and minds.

I have been trying to bend my body and mind to meet the clock in preparation for starting my postdoc, but I think everyone will be happier if instead I bend the clock to me. My body sometimes needs to be awake at night and asleep during the day. Instead of lying awake in pain trying to fall back asleep while listening to an episode of Star Trek because this is the time when people sleep, I can give myself permission to rearrange my time so the parts of my work that can be done asynchronously (basically everything but meetings, I think) can be done in brief chunks of time in the middle of the night.

This is a positive effect of coming to recognize crip time. (This felt like the right time to stop using quotation marks. I don’t know why.) But Samuels points out the negative elements, which will impact more people than ever before in the wake of COVID. Samuels does this so well that I’m reluctant to attempt to summarize. If you’re interested, I highly recommend reading the essay. For now, I’ll pull out just the bit that inspired this post’s title:

…crip time is vampire time. It’s the time of late nights and unconscious days, of life schedules lived out of sync with the waking, quotidian world. It means that sometimes the body confines us like a coffin, the boundary between life and death blurred with no end in sight. Like Buffy’s Angel and True Blood’s Bill, we live out of time, watching others’ lives continue like clockwork while we lurk in the shadows. And like them, we can look deceptively, painfully young even while we age, weary to our bones.


Quick Thoughts on TRULY DEVIOUS πŸ“š

I don’t want to write a full review of Truly Devious but I want to share a couple things.

First: it goes back and forth between details of a cold case from 1936 and the present. I love the way it weaves these two related stories together.

Second: it ends on a cliffhanger, which left me wanting to scream “ARE YOU KIDDING ME?” and also simultaneously flail with delight, so well done Maureen Johnson, I guess.

Recommended if you like mysteries, especially dark academia.


Finished reading: Truly Devious: A Mystery by Maureen Johnson πŸ“š


πŸ”– Read There Is No β€œBest of” List From Me This Year. πŸ“š

Beautiful writing from Kelly Jensen: how books impacted her this year; where she is in her journey as a writer, book blogger, reader. I’ll revisit this as I think about how I want to engage with & around books in 2022.


πŸ”–πŸ“š Read

All Your Followers Will Not Buy Your Book - by Kate McKean katemckean.substack.com
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πŸ”–πŸ“š Read

Yes, Social Media Can Sell Books. But Not If Publishers Sit on Their Hands | Jane Friedman janefriedman.com
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πŸ”–πŸ“š Read

Millions of Followers? For Book Sales, β€˜It’s Unreliable.’ - The New York Times nytimes.com

Read: www.nytimes.com

.


πŸ’¬ “North Americans practice embalming, but we do not believe in embalming.” Smoke Gets in Your Eyes: And Other Lessons from the Crematory by Caitlin Doughty πŸ“š


My Reading Year 2021 πŸ“š

I may receive commissions for purchases made through links in this post.

This was a slow reading year for me. I read a lot more fiction than last year, a little less nonfiction, many fewer comics, and no poetry.

I only read 28 full-length books for myself (as opposed to for my kid). I range widely each year, usually coming in the 30 - 50 book range, so this is a little less than even a normal slow year would be.

But of course, year 2 of a pandemic, especially when finishing a PhD, is not a normal year.

All of the fiction I read this year was good, because I don’t keep reading things that aren’t. But my favorite was Gideon the Ninth . It took me a little while to get into, but once I was into it, it blew me away. It also helped me realize, along with the Star Trek: Discovery episode “Su’Kal,” that space gothic is a subgenre I love.

I’m still into Dark Academia, which explains the presence of The Historian , If We Were Villains , Bunny , and Ace of Spades on my finished books list.

My other fiction reading decisions were driven primarily by media tie-ins. I read the Shadow and Bone trilogy and Six of Crows duology in anticipation of Shadow and Bone on Netflix, then decided to stick with Leigh Bardugo and read her Wonder Woman book . I also read The Last Wish , the first book in the Witcher series. It will probably be a while before I get around to that show but I enjoyed the book.

None of my nonfiction reading blew me away, but it was all good.

I definitely read some fanfiction, but I couldn’t tell you what. And I read a lot of articles, most of which you can find in my Links category.

I hope to read for pleasure a lot more next year.

What did you read in 2021? If you had a hard time reading, what did you do instead?


In case you’re on micro.blog and missed it, @JohnPhilpin is asking people interested in joining a Micro.blog Reader’s Club to complete this form. πŸ“š


Want to read: Foreverland: On the Divine Tedium of Marriage by Heather Havrilesky πŸ“š


πŸ”– Read Queer and Jewish Identity Are the Heart of β€œWhere the Wild Things Are”. πŸ“š

I love this. I want to look at In The Night Kitchen and Outside Over There and all the Nutshell books through this lens.


Want to read: The Coldest Touch by Isabel Sterling πŸ“š


Want to read: The Art of Showing Up: How to Be There for Yourself and Your People by Rachel Miller πŸ“š