Posts in "Creative Mothers"

๐Ÿ”–๐Ÿ“š

Can Motherhood Be a Mode of Rebellion? | The New Yorker newyorker.com

Read: www.newyorker.com

An amazing essay in conversation with Angela Garbes’s new book, Essential Labor.

a person can get paid more to sit in front of her computer and send a bunch of e-mails than she can to do a job so crucial and difficult that it seems objectively holy: to clean excrement off a body, to hold a person while they are crying, to cherish them because of and not despite their vulnerability.

Her husbandโ€™s job provided health insurance and regular paychecks; Garbes writes that it โ€œmay take me a lifetime to undo the false notion that my work is somehow less valuable than his.โ€

It feels shameful to admit that I donโ€™t have the desire to hustle up that same ladder.

Parenthood likewise forces an encounter with the illogic of the market: good fortune means getting to pay someone less than you make to do a job thatโ€™s harder and probably more important than your own.

parenting toward a more just world requires more than diverse baby dolls and platitudes about equality.

She quotes the writer Carvell Wallace, who, after the 2016 election, told his children, โ€œOne of the most important questions you have to answer for yourself is this: Do I believe in loving everyone? Or do I only believe in loving myself and my people?โ€

How can mothering be a way that we resist and combat the loneliness, the feeling of being burdened by our caring?

motherhood has also granted me a chance to see what my life is like when I reorganize it around care and interdependence in a way that stretches far beyond my daughter.

๐Ÿ”–๐Ÿ“š

“This is the Book I’m Meant to Write Right Now” sarafredman.substack.com

Read: sarafredman.substack.com

This interview is huge. Life-alteringly huge.

Angela Garbes, who usually line edits as she writes:

I can’t revise an idea, no matter how good it is, in my brain. I can’t revise it if I don’t write it down.

Interviewer Sara Fredman says:

I personally feel torn between feeling like motherhood is the most significant thing I do and that I’ll ever do in my life and also feeling like thatโ€™s a trap of some sort.

๐Ÿ”–"Nobody cares if you're a writer except you." Kate Baer on being a writer who mothers. ๐Ÿ“

I highly recommend Sara Fredman’s Write Like A Mother newsletter, in which Sara interviews writers who are also mothers. Some bits from the recent issue with Kate Baer resonated especially with me, so I thought I’d share them here.

Mothers were so punished in this pandemic.

This. I’m playing the pandemic on easy mode - working part-time from home - and I still feel this. The social costs and lack of a village are what’s hurting me most. For the first time since the start of the pandemic, I hung out for a long time with other parents while our kids were at the park and it was huge. Pre-pandemic, M & I spent every weekday morning at a co-working space with a Montessori school on-site. My co-workers were almost exclusively fellow parents of young children, mostly moms and non-binary primary caregivers, and at the time I didn’t really appreciate how special it was.

…nobody cares if you’re a writer. Nobody, nobody cares if you’re a writer, except you. If you want to be a writer, then you have to take control of the situation. You have to think of yourself as a writer, you have to treat yourself as a writer. You have to treat this like this is a job… I have to be the one who cares so much about being a writer. And so I think part of that is just filtering out that noise and just taking yourself super seriously, taking the work super seriously.

I have only recently claimed the title of writer for myself, despite having written all my life and having my first paid byline 10 years ago, and I feel this so hard. I’m still working on taking myself and the work seriously.

๐Ÿ”–

Portrait of the Mother as an Artist โ€“ Guernica guernicamag.com

Read: www.guernicamag.com

To think of the mother as artist does not necessitate a conflict, nor does it require a choice between passive domestic surrender or total domestic rejection, although for a long time the world demanded that it did. Such frames only reinforce hierarchies, limit her to merely a fragment when, of course, she is com posed of many pieces.

Craft โ€” a designation used to subjugate many art-making practices that have been the domain of women: needlepoint, pottery, quilt making. With their connections to the home, these mediums have been historically dismissed, supposedly lacking the rigor and intellectual complexity of high art.

โ€œI have drawn my children and painted them endlessly and I cannot distinguish them from my soul…"

she sometimes wonders why an artist must inhabit turmoil or drama to be taken seriously.