Category: Creative Mothers
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🔖📚 Sara Fredman’s How Motherhood Helped Me Reject the ‘Father Tongue’ of Academia is both about writing the kind of thing I want to write and is itself the kind of thing I want to write.
💬🔖📚 Kate Zambreno on her new book "To Write as if Already Dead" - Los Angeles Times
The postpartum experience isn’t just expensive; it can also be one of psychic trauma and creative crisis. Someone who was a person becomes a mother. “You’re not a person. You don’t have a name,” says Zambreno. This feeling of erasure is a current that runs through her work, reaching peak intensity in “To Write as if Already Dead.” “I need to restore myself after being made into a ghost,” Zambreno says. “I always feel like writing the most when I’m being made invisible.”
Kate Zambreno on her new book "To Write as if Already Dead" - Los Angeles Times latimes.com
At Literary Mama, Victoria Livingstone writes about how the tasks of motherhood that “cannot be commodified or marketed” help us learn how to let go of the need to always be productive, and instead grant us space to let our creative spirit wander.
From Parul Sehgal: In a Raft of New Books, Motherhood From (Almost) Every Angle
In this piece that is mostly a review of Jacqueline Rose’s book Mothers: An Essay on Love and Cruelty, Parul Sehgal offers more titles to add to the motherhood reading list.
“Mothers “are not in flight from the anguish of what it means to be human,” Rose writes. She quotes Julia Kristeva: “To be a mother, to give birth, is to welcome a foreigner, which makes mothering simply ‘the most intense form of contact with the strangeness of the one close to us and of ourselves.’”
Isn’t it pretty to think so? Recent books on motherhood, however, frequently and sometimes unwittingly, illustrate a different phenomenon: how motherhood dissolves the border of the self but shores up, often violently, the walls between classes of women.
Sehgal names some of these walls: pay gaps and maternal health outcomes, both hinging on race. She points out:
…so many of these books (almost all of them are by white, middle-class women) seem wary of, if not outright disinterested in, more deeply engaging with how race and class inflect the experience of motherhood.
The books listed in this article and in Elkin’s are a beginning. As a canon, the list has glaring gaps, most noticeably around race and queerness. The following articles seek to fill those gaps, and I’ll be discussing them in depth in the coming days:
- Why Are We Only Talking About ‘Mom Books’ by White Women? by Angela Garbes for The Cut
- We Need to Talk About Whiteness in Motherhood Memoirs by Nancy Reddy for Electric Literature
- As A Queer Woman, I Can’t Afford To Be Ambivalent About Motherhood by Katie Heaney for Buzzfeed