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πŸ”–From Pat Thomson, the ’later on’ PhD

…what the professional usually wants from their PhD are systematic ways into core scholarly practices in research, and academic writing, rhetoric and argumentation, as well as immersion in the scholarship in their field.

This is me. I began my PhD at age 34. By this time I had two Masters degrees, five years’ experience as a classroom teacher, one as a school librarian, and three as a managing editor/digital asset manager/public communications specialist.

My department at work was clearly going to be eliminated and I didn’t have a plan for what to do next. I knew that I wanted to get a PhD eventually, that I wanted to have a kid in the next few years, and that while being a PhD parent is hard, it would allow me to have more flexibility in my schedule than any other job I was likely to get. I decided to go ahead and move my PhD plans up by a few years.

I don’t know what I will do next. I am extraordinarily unlikely to apply for any of the few tenure-track jobs that will open up in the next few years. I have a lot of experience from both my professional work and my personal pursuits, so I’m not worried about developing particular skills.

I came to the PhD because I wanted to understand research methods better, because I wanted to learn how to capture great work happening in libraries and education, and because I wanted a job where research and writing were expected. I’ve gotten those things out of it.

As I said, I don’t know what comes next. For now, I’m writing my dissertation, researching academic makerspaces, making the most of all the kid snuggles I can get and blessing my mother-in-law for being with M. so I can do any work ever, doing informational interviews, and otherwise trying to do what’s fun. πŸ““

πŸ”– The Allure of the Nap Dress, the Look of Gussied-Up Oblivion

I don’t have a clothing budget these days, but if I did, you can bet I’d be scouring eBay, ThredUp, and Poshmark (among others) for nap dresses. I have many aesthetics and would love “Victorian Ghost” to be one of them, though I think I like the idea of embracing my Madwoman in the Attic status even more.

πŸ”–πŸ“Ί Alex Brannan’s article, β€œIt Could Be About Anything”: Middleditch & Schwartz and the Viability of Televised Improv Comedy is an interesting read. Longform improv is definitely hard to explain to non-improv normies but also, in my experience, it’s um, not great fun for most people who aren’t “yes…and” nerds, as Thomas Middleditch calls them, to watch. Like… Does anybody NOT initiated into longform WANT to watch a Harold? Maybe they do, but I’m not sure. By the time I was about to stop performing improv, I was over the Harold as an audience member. And I got to see some really amazing teams. Still not a format I would recommend to just anybody. It’s a performance art piece as much as a comedy piece. I don’t know. Anyway, I’d been thinking about watching the show and now I definitely will.

It’s worth noting that I myself never was on a team that did longform without a gimmick. I think our gimmicks were a huge part of the fun for me. We may never know if I would be able to sustain interest in performing the Harold for longer than a six-week class.

πŸ”– πŸ“š I found myself wanting to read so many of the books on Book Riot’s Best Books of 2020 So Far list that I decided it makes more sense to bookmark the whole list than to add each title individually.