I can’t wait to see what I come up with, either! I’ve been trying to track down other keynotes via the IndieWeb YouTube channel to see what kind of thing people generally do. Any suggestions, either for topic or examples? (Right now I’m brainstorming something about the IndieWeb as a Connected Learning environment, but I’m not sure if that’s the kind of thing that makes sense.)
Attending remotely, as I’m able given I have a toddler. And, oh yeah, keynoting!
Testing some IndieWeb functionality and this tweet seemed worth sharing…
Neutral good, to the surprise of absolutely no one.
I started implementing separate RSS feeds for different types of content a while back but just set them up to appear in the content search in readers like Feedly. They look great. Thanks for the walkthrough, Chris!
Dissertating in the Open: Your First Meeting with Your Committee
It’s been more than 3 months since I had my first committee meeting, but I still want to write a little about the process.
If you’ll recall, my advisor, Sandra Hughes-Hassell, and I put together an awesome committee. She handled the scheduling of our first meeting, which we did using Zoom as I have two out-of-town committee members.
Before the meeting, I shared two things with my committee: a dissertation prospectus and a preliminary bibliography.
The main agenda item for the meeting was reviewing that preliminary bibliography and settling on the areas for my comprehensive examination package. One of my committee members couldn’t make it; there were 5 of us on the call. I had my prospectus and bibliography in front of me and my bullet journal at hand for taking notes. (My method is really a hybrid of Ryder Carroll’s bullet journal method and Raul Pacheco-Vega’s Everything Notebook, with some modifications of my own thrown in, but that’s a different blog post for a different day.)
I can’t tell you how this will go for you, but it had a couple of really positive outcomes for me.
First, with respect to information literacy: There is a whole world out there of information literacy standards, guidelines, and models, and quite frankly, by the time you’ve been working in this field for 10 years the basics start to get a little stale. I had them all on my preliminary bibliography and Casey Rawson suggested that, since we all know those models and nobody really wants to read about them again, I could focus on newer models. She specifically mentioned embodied information practices (especially as conceived by Annemaree Lloyd), as my research focuses on the information practices of cosplayers and cosplay is an embodied fan practice.
I mentioned to the committee that I was going to start with a focus on information literacy in affinity spaces and work my way out from there, and Heather Moorefield-Lang suggested that I consider subcultures as well as affinity spaces, specifically suggesting the work of Vanessa Lynn Kitzie, who has done a lot of work on the information practices of LGBTQ+ individuals.
Taking these two suggestions together led me to a complete reframing of my conceptualization of information practice and information literacy, moving me from thinking of it as an individual, knowledge-based process to a sociocultural set of practices. More on that another time, but this was a huge and immensely valuable shift.
Second, with respect to methods: Casey pointed out that the “mixed methods” piece of my study (counting qualitative codes for frequency) wasn’t really enough to qualify it as a true mixed methods study, and so it might be better for me to just focus my methods chapter on qualitative methods. This was great because it always helps me to narrow my scope; I tend to want to be far more thorough than is necessary or appropriate when I write a literature review.
After the meeting ended, I felt great. I was really excited about my work and excited about my committee, and those feelings have carried me through the last three months of slowly chipping away at the first two chapters of my comps package.
Featured image is the Chamber of the Council of 13 of the Guild of Calamitous Intent, from Venture Bros, provided by reddit user Empyrealist.
Having a paper accepted with revisions on the first submission is reason to celebrate, yeah? Reviewer 2’s (and 3’s, I’m the scholarly equivalent of a hatstall!) comments can wait until next week…
Me, writing my comps about cosplay: I’m almost out of space and I haven’t even mentioned Butler on performance or Bakhtin’s carnivalesque!
Also me: REMEMBER YOUR SCOPE. FINISH THIS CHAPTER.
Unexpectedly shattered
I’ve been working on editing the fourth episode of my Buffy the Vampire Slayer podcast, Things of Bronze, and in that episode I talk about how being a mom is like being the Slayer.
And then I’m reading Barbara Brownie and Danny Graydon’s The Superhero Costume: Identity and Disguise in Fact and Fiction and I run across Ana Álvarez-Errecalde’s beautiful work Symbiosis and it feels like my heart stops for a second. My breath catches.
And I go track down this interview with her, and save it for later, knowing it’s going in the February issue of Genetrix:
Symbiosis (The Four Seasons, 2013-2014) talks about relationships that nourish each other both physically and psychologically. It challenges the idea of a negated mother who also negates her body and her presence to her children, so they will all ultimately conform to our unattended, unloved, and unnourished society. It is not about being a “supermom.” It is about two complete beings that strengthen each other by the relationship they establish. That is where the mutual empowerment resides.
But also then I go back to Brownie & Graydon and flipping through I realize that Álvarez-Errecalde’s photograph is in a section called “Parent power,” with quotes like these:
As the death of family provoked the adoption of heroic identities in Batman and Spider-Man, new parents find themselves transformed by the birth of a child. (p. 130-131)
and
It is just as impossible to define any parent without acknowledging their parenthood, as it is to define Bruce Wayne without acknowledging Batman. (p. 131)
and
Parenthood, like crime-fighting, is labor-intensive, exhausting and emotionally draining... Superhero imagery allows parents to express the tremendous strength that is required in parenthood, along with the new sets of values that emerge with their new identity. (p. 131)
And this is all serendipitously making me feel immensely seen and I’m on the verge of tears.