A white woman with dark hair and glasses stands in front of a wall with several words in 3d on it. The word 'BOOK' is centered over her head.
Kimberly Hirsh in front of the wall of words at
Planet Word Museum in Washington, DC

Hi there! I'm Kimberly Hirsh. My pronouns are she/ her/hers. I'm somebody's mom. I work as a school librarian. I have a PhD in information and library science. I love to read, play tabletop and video games, and make things. I used to perform in theater and improv comedy and I may one day again. I have been extremely online since 1993 and still enjoy tinkering on the web. I manage multiple chronic illnesses. I'm married to my kid's dad. We have a cat.

Want to get in touch? You can reach me by email.

Recent posts

I was looking at my On This Day page, reading an old post I wrote that’s especially thoughtful and in-depth about improv, and it struck me that I don’t think that deeply anymore. I miss it.

But I do think that deeply at work, I’m just not blogging about it. May be time to start blogging that stuff.

πŸ”– Read The clockwork universe: is free will an illusion? by Oliver Burkeman (The Guardian).

I’m trying to find a space where determinism and existentialism co-exist. I just keep coming back to the line from the TV show Angel: “if nothing we do matters, all that matters is what we do.”

Finished reading: Full Speed to a Crash Landing by Beth Revis πŸ“š

The first novella in a series of three. At first I thought it might not be the right moment for me to read this, but I’m glad I stuck with it. The payoff is great.

πŸ“šπŸ’¬ “… there’s no reason to believe you’ll ever feel ‘on top of things,’ or make time for everything that matters, simply by getting more done.” Oliver Burkeman, Four Thousand Weeks: Time Management for Mortals

πŸ“šπŸ’¬ “… once you become convinced that something you’ve been attempting is impossible, it’s a lot harder to keep on berating yourself for failing.” Oliver Burkeman, Four Thousand Weeks: Time Management for Mortals

πŸ“ΊπŸΏ How I Met Your Mother co-creator Craig Thomas wrote about the influence the movie A Christmas Story had on the show.

I replied with this:

This has me thinking about the voice-over narration in The Wonder Years, beautifully done by Daniel Stern. A Christmas Story (which for years my dad would put on for its 24-hour marathon) came out in 1983. The Wonder Years ran 1988-1993. What other films and shows use this device? (I think maybe 8-Bit Christmas does?) Are they all doing the same thing with it? What does it do that stories without flashback voiceover don’t? I would read the heck out of a smart pop culture essay about this.

πŸ”– Read HTML Is Actually a Programming Language. Fight Me by Tim Carmody (Wired)

Carmody and I came to HTML within a year of each other, both via Netscape, and I love this love letter to my favorite programming language (yes, I love HTML more than BASIC). Count me in as part of HTML’s posse.

Finished reading: Whiteout by Adriana Anders πŸ“š

Like if The Thing, that Antarctica episode of The X-Files, and a Michael Crichton book all had a baby with a romance novel. So, you know, pretty great.