I cried a little watching this. I adore Moulin Rouge. It shaped my aesthetic more than anything had since Beetlejuice. I saw it with W. It came out when we had been together about three years and were in that phase of our relationship that clingy homebodies like me love: early deep familiarity. There are many other beautiful phases of a romance (in my experience, there’s nothing like watching your partner parent to make you fall in love all over again), but I have an extra soft spot for that one, and Moulin Rouge as a whole and “Come What May” in particular will always hold a wistful beauty for me. Cost means I’ll wait for this one to go on tour but I am so looking forward to a soundtrack full of Broadway stars singing these songs.
This is the website of Kimberly Hirsh. The subtitle of this site comes from the description of woodland goth on the Aesthetics wiki.
I acknowledge that I live and work on unceded Lumbee, Skaruhreh/Tuscarora, and Shakori land. I give respect and reverence to those who came before me. I thank Holisticism for the text of this land acknowledgement.
We must acknowledge that much of what we know of this country today, including its culture, economic growth, and development throughout history and across time, has been made possible by the labor of enslaved Africans and their ascendants who suffered the horror of the transatlantic trafficking of their people, chattel slavery, and Jim Crow. We are indebted to their labor and their sacrifice, and we must acknowledge the tremors of that violence throughout the generations and the resulting impact that can still be felt and witnessed today. I thank Dr. Terah ‘TJ’ Stewart for the text of this labor acknowledgement.