๐Ÿ’ฌ๐Ÿ“š “The Spy Girls are what happens when you record an episode of Charlie’s Angels over a VHS copy of Clueless while reading a Delia’s catalog and chugging Mountain Dew till your eyes cross.” - Gabrielle Moss, writing about Elizabeth Cage’s Spy Girls series in Paperback Crush: The Totally Radical History of ’80s and ’90s Teen Fiction


๐Ÿ“บ Netflix's Babysitters Club: Response and Link Roundup ๐Ÿ“š

I binged the Netflix Babysitters Club series last weekend. Growing up, I was not a Babysitters Club obsessive like many of my peers. They were one of the many series on offer that I enjoyed. The main thing about them that thrilled me was that, unlike many of the other books I read, they were books that other kids had also read and would talk to me about.

So. Not obsessive. But I’m still filled with nostalgia for them. And, unlike many of my peers seemed to do, I read them mostly in order, so the Netflix series sticking with the order for the first few episodes made me really happy. I told W. the other day that much as women older than us did with Sex and the City, many girls my age strongly identified with a particular BSC character. (In case you’re not familiar with this phenomenon, the main characters on SitC were Carrie, Samantha, Charlotte, and Miranda, and you could buy lots of merch that proclaimed things like “I’m a Samantha.” In case you’re curious, I’m a Charlotte with aspirations of being a Carrie.) Lucy Aniello, director of the Netflix BSC series, describes herself as “a Kristy with a Stacey rising” (and in case you aren’t familiar with that, it’s a reference to astrology. I’m a hard Mallory with some Kristy tendencies, who wished to be Claudia but was too good at school and bad at art to come close. (I did wear coordinated-but-mismatched earrings and hide candy all over my bedroom, though.)

I loved the show. Its tone is amazingly perfect. The performances are great. I would like Alicia Silverstone to be my co-parent, please. All of the things done to update it are beautiful and none of them feel weird. I don’t have a lot to say about the show itself besides that.

What really hit me this time around was Stacey. When I read the books, I was relatively poor, unfashionable (though not without style), and the only big city I had ever been to was Miami. Stacey was so far out of my reach. (By the way, the costume designs on the new show perfectly evoke the original characters; of all of them, though, Stacey’s outfits look the most like I think Stacey’s outfits should.) I was sickly, catching every virus that came my way and maxing out my 10 allowed absences before I started being considered truant, but I wasn’t ill.

Life is different now. Now I’m diagnosed with four chronic illnesses (two mental), with another one undiagnosed but likely. While illness doesn’t define me, it strongly shapes my experiences and decisions. And watching Stacey deal with that moved me so thoroughly. Stacey’s not wanting anyone to know about her diabetes, because then she won’t be a person anymore, she’ll be a sick person. Fearing the consequences. And, the point that actually brought me close to tears: after Stacey goes into insulin shock on the job, her having to face a room full of clients (along with her fellow BSC members, blessedly) and listen to them say things like “Do I even want her watching my kids if something like this could happen again?” (I’m paraphrasing here.) Y’all, the impact of chronic illness on work and hireability is real, and to see it in microcosm for a twelve-year-old was every bit as affecting as seeing it for an adult would be, if not moreso.

Anyway. That was a new perspective. A part of me wants to go read the books again and pay close attention to how my feelings about Stacey are different now.

So. I didn’t have a lot of insight to offer on the series, just my personal response, but if you want to read more about it, here are a bunch of interesting and relevant articles:


So happy to have this Silvia Moreno-Garcia reading pathway from Book Riot, because I’ve been coveting Mexican Gothic something fierce and all of these books sound amazing. ๐Ÿ“š


Want to read: We Ride Upon Sticks by Quan Barry ๐Ÿ“š


Want to read: Broad Band: The Untold Story of the Women Who Made the Internet by Claire L. Evans ๐Ÿ“š


Want to read: BIG FRIENDSHIP How We Keep Each Other Close by Aminatou Sow and Ann Friedman ๐Ÿ“š


Want to read: A Beautifully Foolish Endeavor by Hank Green ๐Ÿ“š


Want to read: Want by Lynn Steger Strong ๐Ÿ“š


๐Ÿ”– ๐Ÿ“š I found myself wanting to read so many of the books on Book Riot’s Best Books of 2020 So Far list that I decided it makes more sense to bookmark the whole list than to add each title individually.


๐Ÿ“ ๐Ÿ“š

“…we have little hope of producing excellent writing unless we write a great deal… If we want lots of practice and experience, we can’t limit our writing to times when our mind is operating well… If we write enough, we have at least a chance of producing some excellent bits.”
โ€” Peter Elbow, Writing with Power


๐Ÿ“๐Ÿ“š I’ve started doing The Artist’s Way. Yesterday I read the chapter for Week 1 (which, now that I’m doing CS50x, I really want to rename Week 0). This week is about recovering a sense of safety as an artist, replacing negative statements with positive ones, and confronting fears and blocks.

For me, I don’t have much trouble starting or creating. I have trouble finishing and revising (though I quite enjoy working as an editor for other people). So I’ve been thinking about that, about why I fizzle out at the revision stage. Still working on it.

But just as an example, I’ve been sitting on this accepted with revisions paper for far too long now, and I make a little progress every once in a while, but I get stuck. I thought of something today that might help, at least when dealing with my sense of inadequacy in response to reviewers' comments. (I need to get over it, I know. I’m working on it.)

I wrote the first draft of that paper four years ago.

I am a different, better writer than I was then.

Now Me can serve as an editor for Then Me.

I’ll let you know if this helps.


๐Ÿ“š Reflecting on Robin DiAngelo's "White Fragility"

Please note: Robin DiAngelo says she’s writing for a white audience, and I’m white, so my perspective on this book will likewise be more about its usefulness for white people. Author and scholar Lauren Michele Jackson states that for her (a Black woman, I think), “much of the material felt intuitive.” I don’t feel remotely qualified to tell any BIPOC if this would be a valuable book for them to read.

I read White Fragility over the weekend, only reading it so quickly because my university library limits checkouts of the eBook to a 24 hour loan period. The book reinforced a lot of the things I learned as I was working on Project READY.

I would especially recommend it if you need an introduction to the concept of racism as a systemic force rather than a personal failing. Whether it will be helpful for you will depend on where you are in your journey. If you have done some Racial Equity Institute training, a lot of the concepts will feel familiar, I think. (It’s been a few years since I did mine, and I think they’ve changed a bit, but certainly some of the ideas are related.)

I’ll share some quotes in a bit, but as a person who has been (slowly) increasing my awareness in this area for a few years, the most valuable part for me was when DiAngelo offered a specific example of a time when she made an unintentionally racist joke in front of a Black colleague who had only just met her and later worked to repair the breach this caused. I don’t want to summarize because I don’t want this to be seen as a set of tips, tricks, best practices, or lifehacks. I’ll just say that much of the book is introductory concepts and it’s all leading to the discussion DiAngelo offers of what to do next.

One of the articles about the end of the girlboss that I mentioned last week in my post about Naomi Alderman’s The Power critiques the book as “the Lean In of the 2020s, a book by a white woman, for white women, that says: See this big systemic problem? Start by working on yourself.” I think this is a well-made point, one that I’d like to unpack in the future so I will keep thinking about it. The article’s author, Leigh Stein, then points out that “White Fragility is social justice through the lens of self-improvement and, as is always the case with self-improvement programs marketed to white women, thereโ€™s money to be made here.” Stein cites DiAngelo’s speaker’s fee of $30,000 - $40,000. I’m keeping my eyes peeled for more people writing about this but haven’t tracked it down yet. But, as a point of comparison, see Ijeoma Oluo’s Twitter thread about the pay gap between white speakers on race and BIPOC speakers on race; Oluo’s fees are $0 - $12K+, depending on who’s asking. I’ve just bookmarked a Slate article about “White Fragility” to read for later.

What I think both Stein, and Lauren Michele Jackson, author of the Slate article, worry about is that people will read this book and think, “Cool. I am antiracist now. I did it, I read this one book, I’m done.” It’s a reasonable fear. I urge you not to be the person who says that to yourself. This book is a fine introduction to systemic racism. I don’t think it can begin to touch on the larger project of dismantling that, but that doesn’t mean there isn’t value in improving your own day to day interactions and working to be more conscious of the ways you can’t help but be influenced by a system centuries in the making.

That said: here are some bits I found especially noteworthy. All page numbers are from my ePub edition.

“…we don’t have to intend to exclude for the results of our actions to be exclusion.” (p. 14)

I did not set this system up, but it does unfairly benefit me. I do use it to my advantage, and I am responsible for interrupting it." (p. 126)

“…stopping our racist patterns must be more important than working to convince others that we don’t have them.” (p. 129)

As I continue to read and work through Project READY at my own (very slow) pace (because working on a project is not the same as actually trying its outcome), I hope to write more about why this is work for white people, the tricky balance of honoring BIPOC knowledge without demanding BIPOC labor (pro-tip, lots of BIPOC scholars and thinkers share their work in easily accessible spaces, so you can learn a lot without asking anyone you actually know to do this work for you), and why (unfortunately) white people seem to receive this kind of thing better from other white people than from BIPOC.


I’ll be 39 in a little over a week, so I decided it was time to just lean into becoming my mother. ๐Ÿ“š


Finished reading: White Fragility by Robin DiAngelo ๐Ÿ“š


From NPR: A Competition To Finish Louisa May Alcott’s Story - I mean why have a competition when you could just hire Mary Robinette Kowal? ๐Ÿ“š


Want to read: The Power of Ritual by Casper ter Kuil ๐Ÿ“š


Want to read: Mexican Gothic by Silvia Moreno-Garcia ๐Ÿ“š


๐Ÿ“š Dr. Kelly J. Baker's "Grace Period" resonated strongly with me.

A couple of weeks ago, I finished reading Dr. Kelly J. Baker’s book, Grace Period: A Memoir in Pieces. I read it very quickly, over the course of maybe two or three days. I would stay up late reading it and walk around the house in a bit of a daze, squinting at my phone (I read it via Kindle Unlimited and have no Kindle, so).

I read the book hoping it might illuminate post-ac options for me, particularly the path of a freelance writer. I found that it struck me on a much more visceral level than that.

It’s interesting that it touched me so deeply, because Dr. Baker and I are very different. Dr. Baker came into academia with a dream of being a tenure track professor. She worked as a contingent instructor and a full-time lecturer, spending six years on the academic job market before determining she needed to take her “grace period.” I came into the PhD program focused on getting good at both conducting and understanding research, without my heart set on a specific professional outcome. I assumed there would be no tenure track job for me, and as I watched my tenure track, highly respected advisor deal with all that this professional life entails, I determined that it wasn’t something I was interested in.

AND YET.

In spite of that, so much of this book resonated with me.

Baker talks a lot about love, the way we are supposed to love our work, discipline, scholarship. She says,

I both adored and loathed my training. I see-sawed from romantic highs (seminar discussions, research, theory) to tortured lows (self-doubt, impostor syndrome, research). I almost quit multiple times. Yet I trudged through, because love is about compromise, or so they say. (p. 28, Kindle edition)

This resonated with me so strongly. I had my first PhD meltdown, as I call them, in the first week of my program. I remember it well. I was working on my back deck, enjoying some unseasonably tolerable weather on our hammock, and I realized that in the first week I had already fallen dreadfully behind. “I can’t do this,” I thought. I even told W. that maybe I should quit.

“Maybe I should quit” and “I’m going to get kicked out” were constant refrains from me that first year.

And yet. When people ask me if they should do a PhD, I say “YES TOTALLY!” followed by “No, definitely not.” Because you totally should; when else are you going to have time to prioritize deep learning? But you totally shouldn’t; it’s almost impossible financially without a supporting partner. (Two of my fellow SILS PhDs that I can think of and I myself have lawyer husbands, and I don’t imagine any of those three could do this otherwise.)

The love we feel for this deep learning, as Baker points out, allows us to be exploited. The minimum graduate stipend in my program is about $7000 below the minimum cost-of-living for one person in the town where the university is located. That exploitation, Baker says, “doesnโ€™t make us love our work less. Instead, it often pushes us to love that work moreโ€”to consider it something deeper, a vocation instead of just a job.” (p. 30) I’ve fought against this sense, pretty successfully, but I suspect that’s because I’ve already experienced that vibe as a K-12 educator and I’m so burned out from it that I won’t let it happen again.

Baker writes about how most years, her birthday was a day to mark all the ways in which she failed in the past year, but after she began her grace period, “My birthday became a day that showed I made it through another year. For once, that was enough. It always should have been.” (p. 78)

My birthday is two weeks from now. I do use it to reflect on the past year often, but mostly, I celebrate it with great fanfare, because it is worth celebrating that I made it through another year. Both Dr. Baker and myself live with mental illness; sometimes I feel that I’m connected to life by a very fragile thread. For that thread to hold up for a whole year is always a cause for celebration.

I’m working from my Kindle notes and highlights here, so things are getting a bit fragmented and disjointed.

As I mentioned earlier, the chapter “Writing Advice” as a whole felt worth noting to me. In particular, how no one had suggested to her that writing could be a career. Me either, no one who I trusted on career matters, anyway. Baker writes,

At 18, 19, or 20, I wished someone took the time to tell me that my perspective was unique. That the only person who could write like me was me. That I shouldnโ€™t try to be someone I wasnโ€™t. That background, the place where I landed, made me who I was. That this place that birthed me might not be New York City or San Francisco or Boston and that was okay. That this place, that no one had ever heard of, created me and pushed me to be a writer. That I shouldnโ€™t try to be someone I wasnโ€™t. That I could emulate other peopleโ€™s writing styles on the way to finding my own. That there was something about my voice that needed to be heard. That writing would give me the chance to speak and be heard. That my voice mattered. That my writing mattered to me and that was enough.

Finally, Baker says some things that remind me of my favorite Kitty Pryde quote from Astonishing X-Men. Baker notes:

Maybe Iโ€™m seeking something big when I should focus on something smaller, like a chubby toddler hand in mine.

I used to hate waiting, but now, I wonder if waiting is where living resides.

Life is about how we weather our transitions.

Reading all those bits inspired me to reply to her in this Twitter thread:

So. This is a book that shifted a lot for me. I highly recommend it to anyone at all connected to academia or just trying to figure out what’s next.


Want to read: A Song Below Water by Bethany C. Morrow ๐Ÿ“š


Want to read: The Mermaid, the Witch, and the Sea by Maggie Tokuda-Hall ๐Ÿ“š


๐Ÿ“š Naomi Alderman's "The Power" and the end of the #girlboss era

I read Naomi Alderman’s The Power very quickly (well, what passes for quickly now that I’m a mom) over the past week or so. I found it riveting; it was the first fiction book in a while that actually kept me from going to bed at a reasonable time.

The framing device is that one writer, a man living 5000 years from now, has written a historical novel set in roughly our time, and has asked his colleague, a woman and another writer, to read it and give him feedback. A quick bit of epistolary writing introduces that set up; the book then immediately jumps into the novel proper. In the history of this world, sometime around our time, teenage girls began to discover that they had the power to discharge electricity from their bodies similar to the power electric eels have. They are also able to awaken the same ability in adult women. And, as you might imagine, this changes the world a fair amount.

It’s an interesting book to read in the middle of a pandemic and widespread protests; each step of the way you see how the world is changing due to this new power, how a paradigm shift happens. It often felt like I was reading about right now, though of course the details are different.

What’s more interesting to me, though, is how it begins as a bit of a power fantasy.

I mean, just imagine. Imagine being able to walk down a dark street alone and not fear for your safety.

I didn’t realize until I had read this book that I never feel safe doing that. (What a privilege to have this fear at the back of mind than at the front, I know.)

As I read it more, this seemed more and more like a power I would like to have. Oh, I wouldn’t use it except in self-defense, I would tell myself.

I don’t want to spoil much, but as you might imagine, a lot of things that currently are things we expect of men become, in this book, things that women do. (What’s that saying about absolute power? Oh yeah, it corrupts absolutely. Though maybe it doesn’t, according to the study described in the linked article. But in this book, it definitely does.)

Layer upon layer of recognition settled in as I read the book, even close to the very end, constantly saying “Oh, THAT is a parallel to THIS thing that happened in our world…” and as I read, it reminded me of a recent Atlantic article, The Girlboss Has Left the Building (as well as The End of the Girlboss Is Here in the Medium publication Gen).

When I read the Atlantic piece, I highlighted this quote:

…when women center their worldview around their own office hustle, it just re-creates the power structures built by men, but with women conveniently on top.

And that’s what we watch happen again and again in The Power. It begins as a fantasy and ends as a dystopia.

More quotes from the Atlantic article:

Slotting mostly white women into the power structures usually occupied by men does not de facto change workplaces, let alone the world, for the better, if the structures themselves go untouched.

Being belittled, harassed, or denied fair pay by a woman doesnโ€™t make the experience instructive instead of traumatic.

Making women the new men within corporations was never going to be enough to address systemic racism and sexism, the erosion of labor rights, or the accumulation of wealth in just a few of the countryโ€™s millions of handsโ€”the broad abuses of power that afflict the daily lives of most people.

And Amanda Mull, the author of the article, concludes:

Disasters disrupt the future people expected to have, but they also give those people the space to imagine a better one. Those who seek power most zealously might not be the leaders people need. As Americans survey a nation torn apart and make plans to stitch it back together, admitting this, at the very least, can be an easy first step in the much harder process of doing the things that actually work. Structural change is a thing that happens to structures, not within them.

I have never been all in on the hustle, but I’ve had a waxing and waning admiration for girlboss behavior. The idea of making your way to the top appeals to me; the idea of treating your employs poorly - of firing them for becoming pregnant, harassing them, berating them - that appalls me. The Power is entertaining as can be, and also a reminder to watch myself. Watch myself for the ways that, when I want to dismantle a structure, I might end up reinforcing it instead. Watch myself for the ways I can use what power I have to help rather than to hurt.

Still would love to walk down the street at night with no fear. I don’t think the dismantling of the structure that prevents that will be finished in my lifetime.


๐Ÿ“š Finished reading The Pleasures of Reading in an Age of Distraction by Alan Jacobs (@ayjay)

Another one I enjoyed and hope to write more about soon.


๐Ÿ“š Just finished reading The Power by Naomi Alderman. It’s so good and I want to write about it in light of some articles I read recently about the end of #girlboss culture. I hope I’ll get to it tomorrow.


๐Ÿ“š Want to read: