Kimberly Hirsh

Kim Werker’s weekly newsletter contains gems like this. I highly recommend subscribing.

And Now We Have Everything - Marked to-read on 04/15/18.

Found via I’ll Be Right Back.

In his newsletter last week and this week, Austin Kleon has recommended several reads about walking. Given my reminder yesterday about the value of a good walk, I wanted to capture his recommendations so I can come back later. I didn’t want to have to dig through the newsletter archives, so I’m creating a list here.

• A Philosophy of Walking, Frederic Gros
• Wanderlust: A History of Walking, Rebecca Solnit
• The Wander Society, Keri Smith
• Flâneuse: Women Walk the City, Lauren Elkin
• Rebecca Solnit on a Childhood of Reading and Wandering
• "Walking While Black," Garnette Cadogan
• "Due North," Garnette Cadogan
• How to Walk, Thich Nhat Hahn
• For All My Walking, Taneda Santoka

Yesterday I posted about how I’m done posting directly to Facebook. Today, I’m announcing the same thing about Twitter. As with Facebook, I’m not disappearing entirely. Instead, I’m syndicating out to Twitter from my own website, kimberlyhirsh.com. I will be able to receive Twitter replies, likes, retweets, etc on the original post at my website. I can also send all of those things from my own site.

As for Twitter’s other functionality… I have, in the past, declared Twitter bankruptcy, unfollowing everyone and then refollowing. It’s harder than it used to be in the past, and I don’t necessarily want to lose track of anyone I’m following right now. So for the time being, I’m noticing when I do browse Twitter which accounts I am finding most valuable. Then I’m using TwitRSS.me to create RSS feeds of those accounts and subscribing to them in Feedly.

If you want to know who I’m following, I’ve got a page for that on my website.

The other key functionality that Twitter has for me is the use of hashtags to aggregate posts about conferences or on Twitter chats. For those purposes, I’m using Tweetdeck and creating a column for each relevant hashtag. My likes and retweets will be posted from my website and then syndicated back out to Twitter.

If you mention me on Twitter without replying directly to a tweet of mine, it should still ping me on my website. I’ve got a special page for Mentions. It’s not linked where anyone but me can see it without typing the URL in directly, but you can trust that I will see it.

I’m working on writing a statement of educational philosophy and yesterday I was stumped. I sat down to write and opened with “I believe…” Everything I wrote after that felt simultaneously true and hollow. My writing process, which wasn’t going great anyway, was disrupted by some family medical issues. (Everyone is fine.) I couldn’t wrap my head around what I was trying to do.

I texted two friends to complain/reach out. Each of them offered some really good ideas that I’m pocketing for later. They weren’t what I needed yesterday. What I was struggling with yesterday was the why. I knew what I believed about learning and teaching but I couldn’t figure out how to articulate why I believe those things.

I was very tired.

I emailed W. He was out of town for the day. I told him that I needed to talk my ideas through, that for whatever reason, I couldn’t get this done via freewrite (which is what I normally do). I said, “Tomorrow, let’s talk about it and then you spend some time with the baby and I’ll write.” (When do I need to call him something besides the baby? I mean, I use his name, obviously. But he’s 18 months old. The toddler doesn’t have the same ring to it.)

W. got home from his travels late at night. As he got in bed, I asked him if my plan was okay. He said, “Maybe we can talk about it when we go for a walk tomorrow.”

“Good idea,” I said.

I highly recommend finding a walking partner and talking about stuff as you walk. It’s so good. So we went for a walk this morning. W. wrote a teaching statement recently and I asked him to tell me about it. As he spoke, I realized that the piece that was missing, the why, comes from my own experiences as a learner and teacher. And that I needed to work that into my statement.

It felt blindingly obvious. I don’t know why I couldn’t make this connection without the conversation with W., but I have it now.

I won’t be posting directly to my Facebook timeline anymore. In keeping with my move to embrace the IndieWeb, any posts I make to Facebook will be syndicated there from my own website, kimberlyhirsh.com. Each Facebook post will include a link to the original post on my website. Through the magic of the IndieWeb, my original post will receive likes and comments that my friends post on the syndicated copy.

At my own website, I’m replicating most of Facebook’s features. I can post status updates, long posts, photos, and videos. I can share links. I can RSVP to Facebook events. I can create my own events and make copies of them on Facebook, and have Facebook RSVPs show up on the event post at my site. I use WordPress and I found a plugin that replicates Facebook’s On This Day feature. I can manually mark myself safe in an emergency and create a Year in Review post.

To make things super interactive, I’ve also created an old school Guestbook and a page where you can ask me anything. These two features aren’t entirely in keeping with the IndieWeb philosophy, which would have you create a post or page on your own site and then let me know about it. But as I don’t expect most of the people who want to communicate with me will be IndieWeb-ready, I’m trying to make it as easy as possible for you to get in touch with me still.

The one Facebook feature I’m not attempting to replace with my own site is Groups. My current plan is to check in each Friday to participate in my groups. That will also be when I check on my event invitations. I also can’t reply via Facebook comments directly from my site. If you want a prompt response or extended conversation, I recommend clicking through and commenting directly on my site. Otherwise, you’ll have to wait until my next Facebook log in.

None of this is way out of left field. I’ve had websites since 1996, and personally-owned websites since 2001. In many ways, I’m just going back to using the web like I did in 2002.

This is just the beginning of an idea, but as I dig deep into the IndieWeb and think about social media, Silicon Valley’s entry into education, critical technical practice, and other words that I will try to come back and find good links for later, I’m having a little brainstorm.

Information literacy curricula tend to focus, from what I’ve seen, on consuming information and evaluating the information other people produce: is this a reliable source? What’s the purpose and audience of this communication?

But as libraries transition from having consumption as their central purpose to places where creation takes centerstage and consumption primarily serves creation, we need to teach youth to think about other things. Who is going to own the content they create? Who can see it? What rights do they have as creators and artists? What benefits accrue to them from the different possible ways they might share their work? If we’re looking to create a generation that makes stuff, we need to ask them to think about the impact of the stuff they’re making as well as the amount of control they have over that impact.

Again, it’s a little brainstorm that I wanted to just jot down, but I hope to come back with more thoughts on this later.

You can’t really see it here but Tropical Diver is a gorgeous reef exhibit at the @georgiaaquarium and I kind of want to live there. Beautiful coral AND a Skeletor Moray? Sign me up!

I use this blog as my home on the web, so in addition to traditional blog posts, you’ll find here all the types of things you might find on social media. I know that can be overwhelming, so feel free to only look at long posts, short notes, shared links, photos, social media interactions, or what I’m reading/listening to/watching/playing.

Austin Kleon’s meditations on retail spaces for community building and creativity have me thinking about how libraries can learn from these experiences to create spaces that meet patrons' needs.

I watched the first eight minutes or so of this and got major X-Files/BtVS vibes and I’m into it.

Hey spring!

Eli Mellen makes some excellent points here. I’ve been slowly chipping away at going full Indieweb for about a year. Only this weekend did I really get all the way there, and it took a lot of advice from Chris Aldrich, some assistance from David Shanske in the IndieWeb chat, and the judicious use of Chrome developer tools (especially the web inspector) and Google to get to where I am today, which is pretty much where I want to be.

I have WordPress and I installed all the appropriate plug-ins. I followed all of the directions in the Getting Started with WordPress parts of the Wiki. But these were the pieces that were missing that only recently did I get together:

• Sharing links in a POSSE way and having them actually look good
• Posting notes to Facebook and Twitter without weird link previews or my Gravatar popping up
• Sharing on mobile

I wouldn’t ask your average social media user to do all the things I had to do to make this happen. As Eli says,

...the IndieWeb is at an exciting inflection point.

I’m immensely grateful for all the help I’ve received getting started, but I do hope that over time people won’t have to be as dev-headed as me to jump in. I am a far cry from any sort of developer, but I do have a lot more knowledge of how the web works than I think most people do. If it was tricky and took me a year to get it to do what I wanted, I can’t imagine what a challenge it will be for them.

Moroccan Sea Salt Spray - Me, spraying this on my unwashed hair: my hair isn’t dirty! It’s BEACHY! #mermaidlife #seawitchvibes

Here’s a quick write-up of the stages I go through when working on an episode of my podcast.

1. Prep. This includes scheduling guests, watching the episode of Buffy the Vampire Slayer that we’re going to talk about and taking notes, analyzing my notes for themes, listening to other BtVS podcasts to see if they bring up anything new that I want to be sure to talk about, and doing some basic research on things like who wrote and directed the episode. [Tools: email, calendar, TV, Hulu, pen and paper, podcast app]

2. Recording. This is when I sit down and actually record with my guests. I bring in my notes, but it’s pretty freewheeling. [Tools: Audacity, microphone, earbuds.]

3. Editing. I go back and listen to the recording. I cut out basic stuff like “ums” and “ahs,” but also big tangents that don’t really tie into the episode discussion much. [Tools: Audacity, earbuds]

4. Processing. I clean up the sound during this stage. [Tools: Audacity, earbuds]

5. Finalizing. I add the intro and outro music and compress the whole thing into a tidy little MP3. [Tools: Audacity, earbuds]

6. Writing up show notes. I listen one more time and make a note of anything I want to be sure to link to when the episode goes up. [Tools: Audacity, earbuds, notepad app]

Again, I’m not actually releasing the show yet, so I don’t have any information yet on that part of the process. When I do, I’ll try to document the process of releasing and marketing episodes.

I took my kid for a walk so obviously glitter.

chocolate almond (but I added a teaspoon of instant coffee because grad student/toddler mom.)

When I decided to come back to tarot and get to know it better, I looked at tens and tens of decks. None of them resonated with me. My first deck, the Mythic Tarot, gifted to me by my mother almost 20 years ago, was basically classical mythology layered on Rider-Waite but I never used it for more than ad hoc crisis readings. I bought the Thoth deck but its imagery felt dense and more obfuscatory than illuminating. I learned about this deck months ago now and with each piece of sample art felt more and more that it was the deck I wanted, but I didn’t want to wait. So I picked up the Tarot of Pagan Cats, because it’s basically a cuter Rider-Waite and I know Rider-Waite is good for beginners. It has been immensely helpful in my learning process. But now The Moonchild Tarot (@moonchildtarot) is available for pre-order and just looking at the box feels like a sacred yes. Neverending Story vibes combined with art nouveau and art deco influences? Yes please.

Yesterday I mixed and mastered the first episode of my upcoming Buffy the Vampire Slayer podcast, Things of Bronze. This is a great example of a personal project that is helping me gain skills I can use professionally. Connected learning in action! Here are action steps and resources that have helped me along the way.

Finding podcasts

I’ve been listening to podcasts for… a while. I don’t know how long, but at least four or five years. Maybe more. I really got into them for a bit when they were experiencing their renaissance around the release of Serial’s first season. Back then I heavily favored Gimlet productions. I also dipped into The Indoor Kids from time to time and listened to the first thirty or so episodes of Kumail Nanjiani’s X-Files Files, watching along before listening to each episode. That was the show that made me want to start my own podcast; as I listened, especially during the segments where Kumail would dig up old posts from Usenet, I started developing the idea for a Buffy the Vampire Slayer podcast that would, alongside rewatching, draw on my experience as a poster at the official BtVS posting board. So this podcast I’m just starting has actually been in development for four years. More on that later.

You can certainly listen to whatever podcast is trendy at the moment. (In the past year: Missing Richard Simmons, S-Town, Dirty John, The Daily.) Or venerable standbys (This American Life, Radiolab). You’ll definitely learn a lot. But I think you’ll do better with something that you’ll really love. That may be one of those podcasts I already mentioned. But it may be something else. People have written a lot about how there’s a discovery gap in podcasting, and I think that’s right. Until listener’s advisory in libraries expands beyond audibooks and music and starts to include podcasts, you’re going to have to do some legwork. Here’s how I’ve done that.

1. Get recommendations from friends and loved ones. My husband, Will, recommended Pop Culture Happy Hour to me forever before I finally listened to it and loved it. It was a lot like that Modern Family episode about wedge salad. (Sorry, Will.) It kind of seems like everyone I know adores Welcome to Night Vale. Podcasts have a viral-like spread through my community of comedy friends, which is how many folks I know got turned onto The Dollop and Hello from the Magic Tavern. And a recommendation from a friend is how I learned about Buffering the Vampire Slayer, which directly influences some of the topics I choose for Things of Bronze.

2. Let the internet tell you how to start. tl;dr: check out your favorite websites and other media sources to see if they have podcasts, ask your friends (see above), Google a topic plus the word “podcast,” use in-app lists of top or new or trending podcasts, find podcast directories. Or, what I’ve really enjoyed, check out this handy list of podcast newsletters from Bello Collective (more on that later, too). I used the in-app lists to find my current favorite podcast, The Hilarious World of Depression, as well as the super fun bomBARDed.

3. Pay attention to people you like - authors, comedians, actors, whomever - and check out podcasts that feature them as guests and podcasts they recommend. I’ve been dabbling in woo-woo as sort of an emotional antidote to the rigorous intellectual standards of empirical research, spending time especially in the Tarot end of the pool, and through following Bakara Wintner I found her guest appearance on Tarot for the Wild Soul, and via the website The Numinous I learned about Self-Service.

Keeping up with podcasting news and trends

Again, that Bello Collective piece is really handy. The top resources I’ve enjoyed for news are Hot Pod and podnews. They’ve kept me up to date on valuable projects like Preserve This Podcast and debates about recording loudness standards.

Advice on doing a good job

This piece from my podcast boyfriend Glen Weldon (look, the fact that he will never reciprocate my love is irrelevant as we’re both married and unlikely to ever spend much time together) is my favorite.

Developing, recording, editing, mixing, and mastering your podcast

This book, in spite of being ten years old, walked me through this every step of the way. I used Audacity for recording, editing, mixing, and mastering. I didn’t have a lot of money to spend on equipment, so I just used the same laptop I use for everything else and this cheapie mic - perfect because I wanted to be able to travel with it and record both solo stuff and group stuff.

In the future: hosting and marketing! Since I’m not ready to do those things, I don’t have a lot of advice on them, but I’ll be back when I do.

I have been chipping away at the comprehensive literature review my program requires that I write to prepare for my qualifying examination for more than six months now. My progress has been achingly slow. I am finally in a (slow-moving) groove, though, so I thought I’d share a little bit about my process.

I began by following Raul Pacheco-Vega’s advice. I read each piece, doing his Abstract-Introduction-Conclusion extraction process (a process similar to the advice offered in my doctoral seminar, but his is a bit more streamlined). [A note on tools: I do all of my reading digitally as I have limited printing availability, work in multiple offices, and sometimes need to read with a toddler napping on me. I use Zotero, store all my Zotero attachments in Google Drive, sync files to read on my tablet with ZotFile, make those files available offline using Google Drive on my tablet, then read and annotate them in Xodo.]

After this, at first I started writing a rhetorical precis for each piece but I found it didn’t help me that much. I wasn’t ready to write full synthetic notes, because I didn’t have enough of a grip on the literature landscape to determine what would qualify a study as something I would want to come back to and read later for more detail or expand into a complete memo. So I skipped ahead to the conceptual synthesis spreadsheet dump stage, leaving several of Raul Pacheco-Vega’s columns to return to later - I only used the concept, citation, and main idea columns to begin with. I added a column for which type of library setting the paper was addressing, because I thought that might be important later. I used the concept column not to tell me which concept in my lit review the paper was for, as I’ve created separate tabs in the spreadsheet for each of the five areas I’m exploring, but instead as sort of a tags column.

After filling out these columns for all the readings, I went back and re-read the main ideas column. Then I did some concept grouping (not really mapping yet) and a free-write of brief notes about all of the ideas I was synthesizing based on my reading.

Then, based on my concept groupings and freewrite, I created a preliminary outline.

I typed up this outline, filled in the introduction section based on earlier literature reviews I’d already written, and now I’m ready to come back and go through each study I have in my conceptual synthesis spreadsheet and write a full synthetic note with the ability to tell how helpful it would be to do a close reading and full memo of any given piece.

Loath to spoil this 90s art girl bedhead with self-care, but I’m gonna.

Does the world need another Buffy the Vampire Slayer podcast? Yes, yes it does. When? Soonish. thingsofbronze.com #buffyslays20