๐ŸŽต Had to skip “Moonlight Sonata” on the Spotify Dark Academia Classical playlist because belting “Schroeder” at the top of my lungs is not actually conducive to getting work done.

๐Ÿ”– Read Lost Time in COVID.

Overall, we have, of necessity, learned to value the quality of our time over the quantity of it, and to work with the rhythms of our energies.

I just got finished with my onboarding meeting for the Connected Learning Lab and I can’t adequately express how psyched I am to get to do the work I actually want to do. How do I keep this going post-postdoc?

Google Scholar: Hi Dr. Kimberly, would you like some journal articles about families playing Pokemon Go together and teaching and learning in Pokemon Go?

Me: YOINK.

How Connected Learning Happens in Libraries

This is the second post in a series contextualizing my position as a researcher of connected learning. Here are all the posts published so far:

  1. What Is Connected Learning?
  2. How Connected Learning Happens in Libraries

The first element of connected learning is interest. Libraries explicitly support the exploration of personal interests in both their collections and their programming. The second element is relationships. Libraries are intergenerational spaces that can be (but arenโ€™t always) inclusive of people from nondominant groups. Libraries can serve as a bridge that connects formal and informal learning. Libraries are increasingly spaces where youth can have shared experiences creating new knowledge. They are third places, neither school nor home, where youth can gather, connect around their shared interests, and meet adult mentors and sponsors who can help them leverage a variety of resources in pursuing those interests.

A note about third places in the time of COVID-19: For many of us (the luckiest among us, I would argue), there is only one place: home, which is also work, which is sometimes also school, which is also where we do whatever social activity we do. This is certainly true for me. That said, online library programming can act as a virtual third space, a place to go for something that isnโ€™t all about home or work responsibilities. Iโ€™ll be interested to see how scholarship around this shift evolves. A quick search for โ€œโ€˜third placesโ€™ COVIDโ€ on Google Scholar demonstrates that scholars are already thinking about this, including in the specific context of public libraries. I am exercising extreme restraint to not jump down a rabbit hole of exploring that research right now.

There are some examples of connected learning happening in both public and school library spaces. If youโ€™d like to explore them, here are some links:

The next post in this series will discuss some of the challenges of creating connected learning experiences in libraries and some shifts libraries may need to undergo to provide more connected learning experiences.

My time is vampire time: The critical disability studies concept of "crip time" ๐Ÿ“šโ™ฟ

I’ve seen and heard a lot of people in the Micro.blog community discuss the book Four Thousand Weeks: Time Management for Mortals. The hold list on this at my library is inordinately long; if I put a hold on it now I might get to read it in 3 - 5 months. So I decided to read the sample of it, to help me decide I’d like to buy it.

As I was reading the introduction, I kept thinking about how my 4000 weeks have a different shape than many other people’s 4000 weeks, different than healthy people’s 4000 weeks. I kept thinking of the concept of “crip time,” which I’d heard but didn’t really understand beyond the concept that time seems to move differently when you’re disabled. This thinking was distracting me from actually reading the book, so I turned to the web to help me get a firmer understanding of “crip time.”

It led me to Ellen Samuels’s essay, Six Ways of Looking at Crip Time, which was exactly what I needed. Samuels quotes Alison Kafer, who says

rather than bend disabled bodies and minds to meet the clock, crip time bends the clock to meet disabled bodies and minds.

I have been trying to bend my body and mind to meet the clock in preparation for starting my postdoc, but I think everyone will be happier if instead I bend the clock to me. My body sometimes needs to be awake at night and asleep during the day. Instead of lying awake in pain trying to fall back asleep while listening to an episode of Star Trek because this is the time when people sleep, I can give myself permission to rearrange my time so the parts of my work that can be done asynchronously (basically everything but meetings, I think) can be done in brief chunks of time in the middle of the night.

This is a positive effect of coming to recognize crip time. (This felt like the right time to stop using quotation marks. I don’t know why.) But Samuels points out the negative elements, which will impact more people than ever before in the wake of COVID. Samuels does this so well that I’m reluctant to attempt to summarize. If you’re interested, I highly recommend reading the essay. For now, I’ll pull out just the bit that inspired this post’s title:

…crip time is vampire time. It’s the time of late nights and unconscious days, of life schedules lived out of sync with the waking, quotidian world. It means that sometimes the body confines us like a coffin, the boundary between life and death blurred with no end in sight. Like Buffy’s Angel and True Blood’s Bill, we live out of time, watching others’ lives continue like clockwork while we lurk in the shadows. And like them, we can look deceptively, painfully young even while we age, weary to our bones.