We just finished up week 4 of staying at home. In one sense, I didn’t have much going on before this; grad school and parenting a young child don’t really leave much space for doing things. But I’m realizing now how I do have even less going on, because I’m not even going on playdate outings or whatever.

We started watching Animaniacs with M, just in time to get excited for new episodes coming sometime ever.

Like so many other people, I’m growing weary of doing all of my communicating with people who don’t live with me via Zoom call. I do like being able to see people’s faces; I hate phone calls. But it’s wearying, right?

I found out that I didn’t get a dissertation completion fellowship from my school. That would have covered my tuition, fees, and health insurance, and given me a (very modest) stipend to cover living expenses. Because life, I have missed the deadlines for all similar awards. (Though I only found 4 I was eligible for anyway.) This has prompted a lot of questions for myself about what comes next, specifically in terms of being able to contribute to my family’s financial wellbeing, which is going to need a lot more help because our childcare costs are more than doubling next year. I’m reluctant to take a (eventually) face-to-face full-time job, because I want to be with my kid in the afternoons. He’ll get out of school at 3:15 and I want to be there to pick him up, not put him in aftercare or delegate that to somebody else.

So, what can I do, that will pay me, lets me work from 9 - 3, and is flexible enough to accommodate both dissertating and chronic illness? I’ve landed on freelance editing, which I did for a few months after getting my MSLS. (And maybe a little writing, but it doesn’t pay as well.) My current assistantship contract ends on May 15; I’m open to taking on new work any time after that. If you need an editor, get in touch. I’m hoping the university will be able to work with me to at least fund my tuition and fees, but tuition doesn’t buy groceries or pay preschool teachers, soooooo…

That was kind of the biggest thing that went down this week. I spent a day moping about it and not feeling like doing much else. But I did read some Internet things. Let me share them with you!

I will be soothed, actually

Why We Turn to Jane Austen in Dark Times I love Jane Austen. This does a great job of explaining how her works are soothing without denying that life is hard sometimes.

I try to check Tumblr’s Week in Review most weeks, because I want to know what people are fans of. When I saw #cottagecore pop up, I was intrigued. It’s kind of like… hygge with more fairy rings and fawns? And also, from what I’m reading, a queer-friendly aesthetic in a way some other Internet aesthetics aren’t.I wanted an explainer, and the Internet gave me one. And then it gave me two more. This has me pondering Internet aesthetics. I’ll let you know what I’m thinking about those as I develop my thoughts further. (But FYI, two of my favorites are vaporwave and [seapunk]aesthetics.fandom.com/wiki/Seap….)

Also, I’m fairly certain the appeal of cottagecore/farmcore is related to phenomena like the Joy of Missing Out and the general consumerist move toward coziness more broadly. (I even briefly thought, “Maybe I should crochet big cozy blankets and sell them for exorbitant sums.” None of us are immune to this sort of thinking, I fear…) Also I got a little grouchy reading about grandmillenials, who I guess seem to me to be wee babes rediscovering the New Domesticity and sharing it online as though Gen X didn’t already do that over 15 years ago…

Currently

📖: Blue Mind by Wallace J. Nichols, A Conspiracy of Truths by Alexandra Rowland
🎬: ST:TNG in 40 Hours
🦸‍♀️: The Power of X
🎮: Professor Layton and the Miracle Mask, Lego Marvel Superheroes 2

My preferred comedy format, though I’ve not really performed it, is sketch. Yes, I did improv for years, but basically because a sketch teacher was like “It’s like sketch if you didn’t write it first.” It was only recently in conversation with my mother-in-law and W that I realized that this love of sketch dates from when I was around 3 years old (like so many things!), and that aside from my parents’ churchy sketch parody show “Sunday Night Live” (which was one of my favorite things my parents ever did when I was a kid), this love of sketch also came from Sesame Street and The Muppet Show.

(A friend signed my high school yearbook, “Maybe you will become a writer for Saturday Night Live and then I can start watching it again.”)

Now that M is deep into Muppets and I’m more familiar with comedic structure, I’m noticing how good Sesame Street and The Muppets are at these things. This sketch with The Martians is a great example of a fish-out-of-water situation, playing the game of the scene, the rule of threes, and breaking the pattern.

Kind of makes sense that Muppets would be the source of solid comedy, given their background on SNL and everything.

I submitted proposed changes to my research design to my committee today. I had to make these changes in light of COVID-19 eliminating the possibility of in-person fieldwork and the fact that my work has been both delayed and slowed due to not having my regular childcare/daily rhythm.

Here are the changes I’m making:

CONSENT

The consent document will be distributed to participants as a form in Qualtrics; they will certify that by submitting the form, they are consenting to participate in the research.

SUMMARY

1. Information horizon interviews will be conducted remotely via Microsoft Zoom, rather than in person. Participants will draw their information horizon maps, photograph them, and send them to the researcher via email or text.
2. The interview protocol will include a question about the anticipated impact of COVID-19 on the cosplayer’s future information practices.
3. Instead of inviting broad participation from the cosplay community, the research will use convenience sampling, inviting participation from cosplayers that she met at a con in 2019 and use snowball sampling to find additional participants to invite. She will only open up broad participation if she is unable to meet the minimum number of participants (10) through these methods.
4. Artifacts for the artifact analysis component will be selected, not based on the sustained, systematic observation of affinity space ethnography as originally described, but based on the responses of participants during the information horizon interview. Historical artifacts may be more prevalent than current artifacts, as most conventions are being postponed or canceled and cosplayers may not be working as intensely to meet cosplay deadlines.
5. There will be no participant observation.

First, some cute things my kid said.

He was talking about flushing the toilet and said that the contents go to the “water landfill.”

Also, I don’t like poop jokes, but he does. He asked if he could tell me a pee joke. I said, “No, I don’t like those either.” He said, “Why don’t you like waste jokes?”

So cute.

It’s the end of week three of social distancing over here, and we’re still relatively okay with each other as a family. M. is doing normal three-year-old stuff, W. and I aren’t sleeping well but at different times of night (he stays up late, I wake up and can’t get back to sleep). I’ve moved from anxiety into depression but am combatting it with as much sunlight as I can and it seems to be helping.

I had a week full of video calls: one with some Bronzer friends (the first two guests on my still-not-available-yet Buffy podcast, not especially coincidentally), with my BFF from middle and high school (that’s a link to her photography portfolio with a picture she took of M. when he was 6 days old). It was so lovely to see her face and chat, and I hope to do it again soon. I did Quarantine Book Club with Austin Kleon. I used Marco Polo to wish another friend’s cat well and was rewarded with a video of said cat making amazing cat sounds.

Today I did a video call with my advisor and another committee member, and we made a game plan that has soothed my concerns about being able to complete my research. It involves revising my methods some and scaling back the scope of the study. As my advisor said, “Would it be cool to do what you said you were going to do? Yes. But you can’t.” Eyes on the prize: me graduated in 2021.

I’ve been reading a lot online (I always read more articles when I spend less time on social media), adding to my ever growing pile of books I’m reading, enjoying watching Picard, and often having chocolate oatmeal for breakfast with a bit of peanut butter added. (It’s like having a no-bake cookie for breakfast; highly recommend.)

With that, let me recommend some online reading you might find fun or valuable.

Supporting Independent Bookstores

McSweeney’s has some thoughts and some advice on how you can help independent bookstores. I don’t have a ton of money to throw around, but I did buy myself and my kid books from our local independent bookstore, which is having their distributor ship the books directly to me.

One way you can support those independent bookstores is by buying books for your book clubs, which are apparently flourishing right now.

Funny Stuff

Speaking of McSweeney’s, their funny stuff often hits exactly the right spot for me. Witness:

• I Know There Is a Pandemic, but I Am Leaving You for Bob Ross - A friend told me that ASMR videos always help her when she has a migraine. They didn’t do anything for me, but when I started poking around in the broader ASMR world I found the suggestion of watching Bob Ross, and he DOES help my migraines. I’m not leaving W. for him, but if I had a partner like the (I sure hope imaginary) narrator of this does, I might, in spite of his being dead.
• Self-Isolation or Graduate School? - In case you missed it when I shared it earlier. Comedy gold, if you are in its very narrow target audience.
• Frog and Toad Are Self-Quarantined Friends is perfect and beautiful, and now M. doesn’t want to play regular Frog and Toad, he wants to play Quarantine!Frog and Toad.

But they aren’t the only ones! Vulture brings it with If I Wrote a Coronavirus Episode. The 30 Rock, Brooklyn Nine-Nine, andYou’re the Worst offerings are perfect and oh my goodness Jane the Virgin actually filmed part of theirs. Will this prompt me to write fanfiction? Very possibly, because I’m sad that New Girl wasn’t in there.

Scary Stuff

Skip this section if you don’t want to read scary pandemic thoughts, but I found these pieces really helpful.

• How the Pandemic Will End(The Atlantic)
• The Four Possible Timelines for Life Returning to Normal(The Atlantic)
• It’s the End and Nothing Feels Fine Apocalypse/zombie scholar and my new post-ac hero Kelly J. Baker talks about how this thing that feels like an apocalypse is very different from the apocalypse stories we tell ourselves.

Cut Yourself a Break

Okay, that’s enough scary, here’s some posts to convince you to give yourself some grace.

• I Can’t Write About the Pandemic, But I Can’t Write About Anything Else “…avoid thinking like a careerist… Use your creative time to escape the zeitgeist… write the book that you most need to write.”
• Against Productivity in a Pandemic “This is not a time to optimize or stoically pretend nothing has changed… This is a time to sustain.” “We do not tend to see maintenance and care as productive…” - Jenny Odell in How to Do Nothing I’ve been thinking more about maintenance and care since I read How to Do Nothing last summer, and I think right now especially it is where our focus should be. Which brings me to…
• Why You Should Ignore All That Coronavirus-Inspired Productivity Pressure This is a brilliant map, especially for academics, for how to get through this time. I am taking it to heart fully; once I get my revised research plans in place, I’m going to get some of my home stuff sorted out before trying to get back to work. I will be reading and re-reading and re-reading again this piece over the coming weeks.
• Now Is the Perfect Time to Lower the Parenting Bar Sometimes I do elaborate activities with my kid. It’s usually to keep me from being bored. The rest of the time, we’re reading or he’s playing while I rest. Sometimes we watch TV, but I try to save it for when I need it. “Unlike the running joke that every working parent, single parent, or stay-at-home parent has uttered at some point, that ‘everyone was alive’ at the end of the day, that is actually the real job we all have right now. Trying to keep people alive. Even people we don’t know and can’t see, at the end of the day, every day, until this thing is done.”

Poetry

April is National Poetry Month. I highly recommend signing up for the Poem-a-Day newsletter from Poets.org. I’ll probably start listening to The Slowdown and watching Patrick Stewart read sonnets, too.

• The Function of Humor in the Neighborhood “I wrote this poem in response to criticism that my work is ‘too funny to be taken seriously.’ I wanted to explain that I am writing in a Jewish tradition where nothing is more serious than humor.” - Allison Pitinii Davis This resonated so strongly with me. It also reminded me of that old Mel Brooks quote: “Tragedy is when I cut my finger. Comedy is when you fall into an open sewer and die.”
• Things to Do in the Belly of the Whale”Be thankful that you are here, swallowed with all hope, where you can rest and wait.“ This is a great reminder for those of us who are privileged enough to be in a situation where we can rest and wait.
• Probably you should check out my friend Kit’s Instagram because he is writing a haiku a day and just… well, go get to know him that way. You won’t regret it.

What pandemic?

This post about Jessica Drew Spider-Woman’s costume (and Batgirl too) speaks much of what’s in my heart. As I’ve been planning cosplays, I’ve been thinking about both the extent to which I feel like playing up my sexiness (I don’t, not in cosplay, really) and also what’s comfortable (hint: not most superhero costumes, especially the ones for women). The awesome moto Spider-Woman costume here is one of my planned cosplays for whenever I can cosplay somewhere. (Still need to put together gloves and glasses.) I was so excited when I learned there would be a new Spider-Woman book, because I’ve been missing her, and so sad when I saw what her next costume will look like. Seems like with every iteration, it gets closer and closer to being less like spandex and more like body paint. I don’t mind unrealistic proportions. I do prefer outfits that look easy to fight in, though.

Until next time!

• All you have to do this month is allow for things to feel uncertain.
• Now is a good time to construct a solid home inside yourself so that you stop looking for a home in everyone else.
• Now is the time to find beauty in what’s cracked or broken.
• Resist delusional thinking when it comes to productivity.

This is part two of a series in which I’m writing up how Austin Kleon’s work particularly relevant for scholars, researchers, and academics. For a quick overview of his book Steal Like an Artist, you can watch Kleon’s TED talk.

You can find the previous post in this series here.

2. Don’t wait until you know who you are to get started. Kleon argues that it is in the act of making stuff that you discover who you are. This is true for research and academic writing, as well. It’s possible that this applies mostly to early career scholars, but I think scholars have the opportunity to reinvent themselves many times in a career, so it can apply more broadly.

Don’t wait until you have a research design to start thinking and writing about a topic. If there’s something you’re interested in, go ahead and start reading in that area. Write up your reading notes. They will come in handy when you’re ready to design your research.

Don’t wait until you have a narrow field of expertise to conduct a study. My first study was on the leadership practices of school librarians. My second was on school library preparation program’s special education courses. My dissertation is about the information literacy practices of cosplayers. These are not all related at all, but I learned different things during each one. (Or, in the case of my dissertation, am still learning.) The first study used a survey methodology, the second content analysis, the third ethnographic methods. I also conducted two small-scale studies for my coursework. If I waited to find my one true calling until I started designing studies, I probably never would have designed any studies. (I’ve actually designed many more than I’ve completed; maybe I’ll use those designs eventually. I really like designing studies. I’ve thought about hiring myself out as a sort of “research best friend” to talk people through their study design process.)

Kleon encourages creatives to copy their heroes. Scholars can copy - but not plagiarize - the work of others in a variety of ways. My favorite is to apply someone else’s research methods to a new population or scenario, adding on something extra to make the study uniquely mine. For my Master’s paper, I copied Daniella Smith’s methods, using the Leadership Practices Inventory. Dr. Smith used this to measure the self-perceived leadership practices of preservice school librarians, people who were training as school librarians but were not yet employed as such. I used the same instrument to measure the self-perceived leadership practices of National Board Certified school librarians - school librarians with at least three years of professional school library experience who had submitted to a rigorous certification program. This is a very different population, but I used the same instrument. I also added a second instrument, which I had developed to measure school librarians’ ability to implement professional guidelines, then investigated the relationship between leadership and that ability. I copied, but it was not a perfect copy. (And as Kleon points out, it never can be - in the case of research, something about your settings or materials or analysis is bound to be different.)

For my dissertation, I am building on the methods of Dr. Crystle Martin’s dissertation, using her interview and online artifact analysis methods with cosplayers. She used these methods with World of Warcraft players. Again, a different population. I also, in my original design, added face-to-face observation - something that built on her work but made it my own. (In the wake of COVID-19, I am sadly not sure how much face-to-face observation I will be able to do. We’ll see.)

Next time: Write the book you want to read.

Austin Kleon is one of the creative people who have had the greatest influence on my thinking about art, life, and parenthood. I actually had a bit of a freakout tonight whenI couldn’t find my copies of Steal Like an Artist and Keep Going. (I’ve loaned my copy of Show Your Work to a friend.) They turned up, though, and thank goodness.

For years, I’ve thought someone should write up how his work is particularly relevant for scholars, researchers, and academics. (Often, one person is all three, but it felt worth listing them separately here.) Maybe somebody has, but I haven’t seen it, so I’m going to do it. For a quick overview of Steal Like an Artist, you can watch Kleon’s TED talk.

I’m going to do this as a series of 10 posts, one post per point on Kleon’s list/chapter in the book. First up:

1. Steal like an artist. Kleon points out that nothing is wholly original. With scholarship, it is a key part of designing research to situate our planned work in the work that came before it. We have a whole section of most scholarly writing devoted to this: the literature review. Kleon suggests that we build a family tree of thinkers, finding one who influences us and then learning everything about them, then learning about three people who influenced them, on and on up the chain as far as we can go. This is basically what citation chaining is. Kleon focuses on backward citation chaining. I wonder if the academic’s process of forward citation chaining might be useful for other creatives; what would Kleon think about finding other people who have the same influences as you and exploring their work downstream? I imagine this wouldn’t be as easy to do as it is for researchers, who can simply pop a reference in Google Scholar, Scopus, or Web of Science and track down the things that reference it, but it might still be valuable to do.

Kleon recommends saving your “thefts” for later. Scholars can do this by keeping up with the work in their field (I’m personally a fan of subscribing to journal table of contents by email and setting up Google Scholar alerts), skimming it, and keeping a research notebook to help them keep track of all of the things they’ve read.

One thing that applies perhaps more uniquely to scholars - though maybe works for other creatives, too - is to look for places where other scholars have explicitly called for work that builds on theirs. I don’t know to what extent other people mine the “Future research” sections of studies for their own work, but I have found it immensely valuable. Both my Master’s paper and dissertation topics came from paying close attention to where other scholars have called for work that builds on theirs. It’s been particularly rewarding to do this with my dissertation, as Dr. Crystle Martin, whose dissertation inspired mine, is on my committee and this is the first time she’s really seen someone build on her work. Why do we do all of this work if all that is going to happen is that it will sit unread somewhere? I suppose some people do it because they have to for job security or being competitive on the job market, but I like to imagine that most of us at least started with a plan for doing our research because we thought it could improve the world somehow. Drawing on other scholars’ work to build ours brings that work out of archives and into the world.

As Kleon quotes Mark Twain saying,

It is better to take what does not belong to you than to let it lie around neglected.

Next time: Don’t wait until you know who you are to get started.

I’ve been reading and thinking a lot about what I consider the golden age of blogging - probably 2001 - 2004. Some people might consider this late, since the first blogs showed up in 1997. Other people would consider it early; I’ve recently seen people refer to 2008 and 2009 as the best time for blogging in their memory.

Regardless, as soon as comments were a feature people could have on their blogs, they became a part of what made blogs special. Reverse chronological order, single posts, sure sure, but also the comments.

When I had my first blog, back in 2001, I longed for comments. My blog was hand-coded HTML and CSS, and I just didn’t have the chops for making comments happen. So as soon as I realized I could (probably when I switched from a free host to a paid host), I switched from hand-coding to using Greymatter, almost entirely because it handled comments.

I started kimberlyhirsh.com in 2009 on WordPress, so it always had comments. When I moved it to Micro.blog at the end of last year, the comments didn’t come with it. People could @-reply on Micro.blog itself. They could reach out to me via Twitter, Tumblr, or email. But they couldn’t comment directly on the post.

In an ideal IndieWeb world, everyone would have their own site, and write their replies on their and send webmentions here and, now that Micro.blog displays conversations on posts, they would magically appear and it would be beautiful. But most of the people who want to interact with me online are not steeped in the IndieWeb. They might like to comment, but it is an extra-extra step asking them to communicate not on the post directly, after they’ve probably already taken the extra step to click over to the post from wherever it’s syndicated that they saw it.

As long as I’ve been here, Micro.blog has had a help document with information on enabling Comments with Disqus. I’ve been getting used to Micro.blog and tweaking my space here incrementally, and this is the latest increment. I really hope people will use it. Looking at other peoples’ blogs and the conversations that have gone on in their comments makes me hope for times when that’s how things will happen again.

I’m trying a new thing with a weekly round-up on Friday.

This has been the second week of social distancing for us. We order our groceries via Instacart, always tipping 10%. I’m wondering now if we should tip higher. If they go on strike, we will find other ways to get groceries, but as someone who is potentially high risk for COVID-19, it has been such a blessing/privilege to be able to get groceries this way.

This was our first week “back” from M’s earlier-than-expected spring break, which means Zoom calls with babies, toddlers, preschoolers, parents, and teachers at 9:30 am every morning. It’s been such a balm to see all those precious faces, to hear the kids say each other’s names and say hello. M and I also did a call with the family of one of his dearest friends. He wasn’t super interested, so it was mostly me talking to them, but it was still nice to do. (Moms trying to talk to each other while the kids are around, though, isn’t really a thing that can happen.)

I have stolen a few moments here and there to work on both my dissertation research and the research for my assistantship. I’m hopeful that next week I’ll be able to dig into those more.

Very little gets done aside from keeping the kid alive. I have had a couple of glorious baths with sea or Epsom salt in them. Media gets consumed. Sleep happens, though often poorly. We eat, and the food mostly isn’t junk (my Hershey-bar-with-almonds habit notwithstanding) but I wouldn’t say there’s much cooking going on. W makes tacos, or I toss some chicken and potatoes in the Instant Pot.

It’s been beautiful outside. Going out and sitting on the deck, it’s easy to forget what a scary time we’re living in. People walk their dogs on the trail. Kids ride bikes. M and W’s mom play in the yard with a beautiful set of fairies and animals that she got for M.

I am trying to blog daily. I spent a late night using every resource from holisticism that mentions purpose or career to help me think about what’s up with my life. While I don’t think the movement of the heavens controls what we do, I think astrology and human design are valuable tools for interrogating ourselves. If we’re reading a description that is supposed to be of us, we can ask ourselves whether it resonates or not. Mine usually does.

Between those resources and Co-star, I am coming to terms with the fact that while I want to do meaningful and helpful work, my priority in life is more home and family and less career. Not that I don’t want one, but that career doesn’t define me. I’m realizing that spontaneous self-expression is very important to me, as is interrogating identity and how it is constructed. I’m embracing the fact that blogging is the most accessible form of spontaneous self-expression for me, that it’s one I’ve been carrying on in one form or another for almost 20 years, and that it’s a very fine hobby to have as one’s primary hobby. The others wax and wane, but blogging is always here.

This is a nice segue into what I’ve been reading online this week, because as I decided to really embrace kimberlyhirsh.com as a personal blog rather than a professional blog or something aimed at getting me jobs or providing income, I’ve been reading about personal blogging and its value. Here are some of the things I read that stuck with me:

• How blogs changed everything This is a post from 2009, but still has a lot of value today. My favorite part is when Rosenberg says, “Blogging allows us to think out loud together.” I love the concept of blogging-as-thinking. Every time I run across it, I go, “Oh YEAH! THAT’s why we do this!”
• Personal Blogging Is the Best Thing That Ever Happened to Me This more recent piece, written in 2015 and updated in 2017, references the earlier one. The author writes:

Personal blogging does not require you to become an expert at anything but your life. We’re all experts at our own lives, and sometimes we have experiences that are universal that would bring like-minded people together. We share these experiences on a personal blog in the hopeful attempt to reach out and make other people who are going through the same thing a little less alone.

This helped me think about the purpose of my site/blog. It’s three-fold: first, it serves as a way for people who meet me to get to know me deeply. Whether we meet face-to-face or online, it has value because I try to be myself here. I’m old enough that I’m kind of done pretending to be something I’m not. If people see what I write here and don’t want to work with me or be friends with me, we weren’t going to be a good fit anyway. Second, it serves as a set of reminders to myself. My future self is the primary audience for this blog. Over and over I search its archives for things I’ve written, whether about health or academics or something else entirely. Third, it is a way to help people, to make them feel less alone, or to illuminate processes that may be opaque to them. This is really what this quote is getting at. (You’ll notice the new description, with both Helpfulness and Transparency included in it. That’s what this is about.)

• The Personal Blog This piece, from 2014, claims that there is a renaissance of personal blogging happening. I like to imagine that’s still the case, or perhaps even moreso now than it was them. (For more on this question, see The blog is dead. long live the blog, The Death of the Blog, Again, Again, and Blogging is most certainly not dead.) This quote resonated with me in particular:

There is something about the personal blog, yourname.com, where you control everything and get to do whatever the hell pleases you. There is something about linking to one of those blogs and then saying something. It’s like having a conversation in public with each other. This is how blogging was in the early days. And this is how blogging is today, if you want it to be.

This is happening more and more, especially with technologies like webmentions supporting it. (Hat-tip to @c, author of that article.)

And this is an especially valuable moment for it, for focusing on this small bit of the digital world over which we have control:

• Let a website be a worry stone.
• Outlet

Finally on the personal blog front, Robin Sloan and Colin Walker really get at the reason I’m embracing kimberlyhirsh.com as a fully personal blog (which will necessarily include my work, because it’s part of who I am):

The thing about blogging is, you can just write about the things you love. A “professional” “critic” (scare quotes because who even knows what words mean anymore) has to do something else, something more difficult: manage a kind of unfolding… aesthetic… worldview? Balance one thing against the other? A blogger suffers no such burden. A blogger can simply

1. love a thing, and
2. write about it.

In that aforementioned new tagline, “Enthusiasm” is the first word. It’s placement is very deliberate, I assure you.

And one more thing. Because it’s All Muppets All the Time (my DVD set of Season 1 of The Muppet Show just arrived!), I really appreciated this article asking Why Doesn’t Disney+ Have More Muppet Stuff?.

Last but not least, current consumption:
🎵: Labyrinth Original Motion Picture Soundtrack/The Muppets (2011) Original Motion Picture Soundtrack
📖: Blue Mind by Wallce J. Nichols
🎬: Picard
🦸‍♀️: Teenage Mutant Ninja Turtles Adventures
🎮: Castlevania: Symphony of the Night, Lego Marvel Superheroes, Professor Layton and the Miracle Mask, Lego Marvel Superheroes 2

The other day I mentioned how I named my sister after a preschool friend.

When I was 3, I was looking at a catalog - maybe a toy catalog or a catalog for a baby supply store a la Babies R Us - and I found a picture of a blonde toddler girl in it. My friend Elizabeth was older than me, and blonde, and I thought she was great and that her name was the best name. (I have no idea what her last name is, what became of her, etc.) I had been telling my parents that I wanted a baby sister. I took the catalog to them, pointing at the picture of the toddler with blonde hair and light eyes, and said, “I want that baby to be my little sister. Her name will be Elizabeth.”

My parents, both dark-haired, one with brown eyes and one with blue, said, “We’ll do our best, but we might not be able to get that exact baby.” I was adamant.

I did get a little sister. When my mom went into labor (we were in the middle of having pizza for dinner, and her water broke, and she said, “Oof! My water broke!”), I went to my grandmother’s house and spent the night with her. In the morning, I talked with my parents on the phone. “You have a baby sister,” they told me. I was like, DUH. “Her name is Mary Elisabeth.”

I was LIVID. I scolded them for giving her the wrong name. Elizabeth, with a Z, was supposed to be her first name. And they’d made it her middle name? That was untenable. (I wouldn’t put it past my four-year-old self to know the word untenable, but I don’t think I did.)

They explained that “Elisabeth Mary” didn’t sound as good. I don’t know if I ever found out why they went with the S instead of the Z. I prefer the S now anyway.

She was born with light brown hair and light eyes, but it quickly became apparent that my parents had, in fact, produced a blonde baby sister for me. Eventually I forgave them for getting her name wrong.