#FSNNA21 livetweet log:

Adriana Amaral:

First, the state of fan studies in Brazil: research focused on digital settings but still working on integrating digital methods with other methods. Transcultural fan studies scholarship does focus on music fandom.

8 themes identified in lit review of Brazilian fan studies research - 1) The fan condition and identities; 2) Fandom consumption practices; 3) Digital Media fan practices and dynamics; 4) Fandom as community;

5) Fan activism; 6) Politics and Fandom; 7) Nostalgia and fans; 8) Fan production and works

Currently building Brazilian fan studies digital archive at https://www.estudosdefas.com.br/ and next step is interviewing authors.

Dr Lies Lanckman 🏳️‍🌈:

Dr. Lies Lanckman is looking at Yiddish-language Hollywood fan magazines, esp. from the 30s & analyzing fan letters in the magazines.

Allegra Rosenberg:

"Affordances & Paradigms in Platformed Fandom"

Fandom has moved from self-contained/self-managed spaces to platforms controlled by others/corporations.

Examples of commercial + cultural tension in fandom use of platforms: Tumblr’s porn ban • YA NFT scandal • TikTok Omegaverse LARP • Hannibal Twitter Wars • Censorship of AO3 in China

Considerations: Algorithmic fandom, boundary-enforcing norms, encounters with the fourth wall, platform-native emergent fan practices, AO3 as anti-platform

Important to keep in mind that while platform affordances shape fan behavior, "fans find a way"

Future RQs: Where can resistance & creativity be found in platformed fan practices? How does digital literacy/understanding of the nature of a given platform affect norms and values of the fan communities that use it?

How does the “first fandom experiences” of teenagers materially differ when it occurs via algorithm, and how does it continue to affect their journey through fandom?

Christina Reichts:

"From tool to lens - A case study of applying digital methods in fan studies"

Research project - "Marveling at Darcy Lewis"

Scraped information & texts from AO3 and ended up with about 2,419 fics

Using a tool called tag refinery alongside the process of topic model analysis for text selection

Are we using digital methods as tools or as lenses for engaging with theoretical frameworks: queer studies, feminist studies, intersectional feminism?

Another Alex:

"Mushroom for improvement: Theorizing a new model for the circulation of fan objects"

Mycelium model focuses on movement of fan objects, agency of fans, flexible & agile model that is based off the radiating organism of fungi with genre as scaffolding

Multimodal methodology: autoethnography, desk research using thursdaysfallenangel's survey on fanfiction consumption & sharing habits, case studies

Mad at Your Dad/Craiglist Thanksgiving trope. Based off Craigslist ad where poster offered self as deliberately bad Thanksgiving date

Used manual data collection to look at post with 562K+ notes at time of writing, and then GEPHI as network visualization tool

Alex is sharing super cool visualization with posts indicated by dots, reblogs by lines, and fandom by color of dot & line

Multifandom blogs provided most notes, then small clusters of particular fandom blogs

Adriana Amaral:

asks @alexanthoudakis about using a mushroom model which reflects a broader trend in cultural studies of using biological metaphors. What are the implications for theoretical considerations?

Another Alex:

Considered metaphors for things that happened organically, references other scholars who use virality as a metaphor. Important not to forget the PEOPLE in the process.

Originally started with the idea of tentacles, but they only radiate out from one point, don't capture horizontal circulation of fan objects. Same text that suggested tentacles also discussed mushrooms, so began researching mushrooms

Found philosophy paper that used mycelium as metaphor, cemented the idea that Alex was looking for.


#FSNNA21 livetweet log:

This doesn’t include the discussion/Q&A because things started to go so fast I couldn’t keep up.

Stacy Lantagne:

introducing other panelists in "The Money Question"

Copyright law is designed to incentivize creativity, "to reward authors for being creative."

Lawyers think about financial repercussions of creativity/copyright, but fans tend to not focus on finances as reason for engaging in fanac, esp. fic.

Copyright law suggests that people require the financial incentive to be creative, but fans demonstrate there are many other motivations.

If we know people will be creative with motivations other than financial, then what is copyright law accomplishing if the incentive assumption is flawed?

Is copyright blocking creativity because it is too restrictive?

If $ enters a space where previously it wasn't part of the motivation/incentive structure, how do copyright considerations change once $ is introduced to the space?

When fans demand compensation, it gets stickier because they are creating within the world of somebody else's creation. Fanworks, however, are protected by fair use, "a really messy doctrine," with market harm as one of the explicit factors evaluated to determine if it's fair use.

We want to protect public good with copyright, not private gain. If you're making $, you can presumably afford to license intellectual property.

Copyright exceptions for news reporting & education, for example, promote the public good.

Fair use doctrine doesn't provide ability to exploit EVERYTHING, some things are reserved for creator.

If you aren't making $, copyright holder has a harder time arguing you're affecting their market/bottom line, but if you are charging, now it looks like you're siphoning $ from copyright holder.

THIS DOES NOT MEAN EVERYTHING DONE FOR FREE IS OKAY UNDER FAIR USE DOCTRINE. Some free stuff is still copyright infringement! eg music & video piracy

But also NOT EVERYTHING DONE FOR $ IS NOT FAIR USE.

"Keeping things noncommercial is the safest way that lawyers can see for protecting fan activities." & this is why AO3 has lots of rules about noncommercial use.

$ attracts attention, so copyright holders are more likely to sue if $ is involved.

We are seeing more ways that fans monetize their creations & Stacey is curious about non-lawyers' thoughts.

[quick disclaimer, Kimberly Hirsh is not A lawyer and Stacey Lantagne is not YOUR lawyer.]

What about when copyright holders claim that they own rights to fan work? Platforms that are monetizing fan labor?

Daria Romanova:

Let's talk about LARPS! Daria came from fashion & media studies & is new to fan studies in the past ~6 mos.

LARP = Live-Action Role Playing.

LARPing is an event and a game, often based on/inspired by media products, appeals to fans, utilizes physical assets like props, costumes, food, accommodation. Can't be 100% free.

Is LARP a commercial endeavor or not?

LARPs aren't always medieval/fantasy themed. Other examples: wizarding, Downton Abbey/Upstairs-Downstairs "Fairweather Manor," Star Wars, Westworld.

You can't participate in a LARP without spending $ on accommodations, tickets, costumes, props.

LARPs also have merchandise.

College of Wizardry LARP originally used Harry Potter terms, but received contact from legal (at WB? JKR estate?) & subsequently changed names.

Case study - Star Wars Saberfighting - you can pay to take lightsaber fighting classes, which resulted in a market for unlicensed light sabers.

There is a relationship between embodied fanac like LARPing & $, which creates tension btwn fan creations & licensed merch.

Julie Escurignan:

Studying Game of Thrones fan experiences, analyzed brand, good brand due to fan loyalty & HBO branding work, with particular visual identity & brand image.

Distinction between official merchandise, licensed (like Monopoly), and unlicensed (like fan-created). Some fan creators do it just for fan love, some for career/biz, and some creators of unlicensed merch aren't fans.

3 types of GoT on Etsy: reuse/distory/mock HBO features, inspired by GoT, GoT for SEO purposes (not actually GoT related)

Fan-made items tend to cost 2-3x less than similar official items.

While reappropriation items often are similar to official/licensed items, "inspired by" items - for example cosplay items - are filling a gap, as this kind of thing isn't usually offered through official/licensed channels.

Fans in places where official places don't ship (eg HBO doesn't ship outside of USA) must choose either to purchase resold items that will ship to them or fan-created items that will ship to them.

Surveyed fans in English, French, & Spanish. About 1/5 of fans purchase exclusively fan creation, 70-80% prefer official, 50% or so buy both.

Fan tourists & cosplayers purchase more items than other fans. Fans mention Etsy as place to purchase

Fan consumers often like to purchase fan-created artifacts in order to support other fans.

Conflict btwn fans' stated support of fan creators and actual purchasing habits which when possible they prefer to buy official products.


Response to "Where’s the ‘Video Off’ Button in Face-to-Face Instruction?"

Dr. Maggie Melo writes for Inside Higher Ed today about the value of video-off time in a virtual classroom and how we might learn from the ease generated by virtual time together-but-apart and apply it in a face-to-face setting.

Dr. Melo concludes:

I want us to question why we have such a persistent desire to “see learning” in a makerspace or classroom. I want us to figuratively and literally turn off the gaze when it’s not needed. As we opt for classrooms and makerspaces that are more inclusive, we should create ways for students to choose how they want to be seen in the classroom.

My son attends a preschool that uses the Reggio Emilia approach. There are a lot of different components to this approach. One of them is documentation. The teachers at his school are constantly photographing the children as they work, posting those photographs around the classroom for the children to see, and writing captions to remind the children of what they were doing. This is not exclusively for assessment purposes. It’s process-focused. The children also take photos, which the teachers share and describe.

Dr. Melo’s piece made me wonder if something like this could be applied in a higher education setting, but placing the choice of how and what is documented on the students. Could you have a shorter class meeting time, giving students the extra solo time to work and document their own process? What if you explicitly asked them to talk about the mistakes they made and what they learned from them, like I do in my blog post about sewing napkins? Does placing this documentation power in the hands of the students allow them to choose how they are seen?

I don’t know.

I just wonder.

Just a note: Dr. Melo was my assistantship supervisor for the final 2 years of my PhD.


What was going on in my life when I got sick

It’s hard to figure out exactly which of the many symptoms I have should determine when I got sick but based on the impact of treatment, I’m going to say it was the onset of anxiety and depression. These really ramped up in October 1999.

I was 18 and settling in at college. I had a roommate who was not a good fit. My anxiety and depression seemed to kick off when that roommate suggested at dinner that I had a crush on a dude in our building. I didn’t but I liked talking to him. I thought he was fun. I already had a boyfriend (spoiler alert, 10 years later I married that boyfriend) and I thought that, based on what my roommate said, thinking this kid was fun was basically cheating. (I was wrong. It’s okay to have friends.)

This one conversation launched a spiral of negative self-talk that persisted for months. It was exacerbated by my being at a big university, struggling to make friends, and feeling disconnected from my family even though I was only 12 miles from home.

At the same time, my brother was sick and in the hospital. He was only 5. I don’t remember, but I imagine I felt that going to my parents with my problems felt like adding a burden they didn’t need, in light of my brother being ill

I don’t think I got help until Spring of 2000.

In the following few years I gained a lot of weight, was so sleepy that I would fall asleep in the student union and miss class plus slept through service learning obligations, and started having irregular periods. My primary care doctor sent me to an endocrinologist who ran a lot of thyroid tests but not the one that would lead to my diagnosis 11 years later.

In time, a lot of these symptoms went away, but they recurred with a vengeance the summer after I finished library school in 3011. Again, it started with depression and anxiety - in spite of my being on an antidepressant - and by the time I did a direct-to-consumer test and took the results to my doctor, all I could do was go to work, come home, and sleep, without energy even for laundry or food prep.

Wentz conducted a survey of over 2000 of her readers to investigate what was going on when they got sick. Stress was the most frequent response. I think both of the times I’ve had big flare-ups have been in the face of the stress of a major life transition.

This connection between transitions and flares is why I’m being especially vigilant right now as I continue to live in the liminal space of post-PhD.


How Hashimoto's makes me feel

Hashimoto’s makes me feel like the opposite of myself. At various points in my life, if you asked friends about me they’d tell you that I have infectious enthusiasm, that I am an excellent writer, that I am a badass who gets shit done. (These are things friends have actually told me about myself.)

When I’m having a flare, I don’t seem to care about anything. I can’t find the right words or structure my thoughts into a logical flow. I don’t seem to be able to get anything done at all.

I’ve seen my mom go through this, too. She’s super smart, loves learning, and is amazing at making stuff. But on her worst days, it’s all she can do to get out of bed.

It’s hard for me to reconcile these two versions of myself. On bad days, I find it hard to believe I was ever enthusiastic, sharp, eloquent, or effective.

I don’t like feeling this way.


My health goals

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One of the things I’m focusing on right now is feeling better. Today, that means reading Izabella Wentz’s Hashimoto’s Protocol: A 90-Day Plan for Reversing Thyroid Symptoms and Getting Your Life Back. We’re coming up on the 10th anniversary of my Hashimoto’s diagnosis (driven by my own research, in partnership with a doctor I had to push to recognize it) and guess what? I still feel crappy. Not nearly as bad as 10 years ago, but still bad. And part of chronic illness is that there will be flare ups. But I know I’m capable of feeling better because I did, in the 9 months before I got pregnant. But the things that helped me then aren’t enough to help me now, it seems. So, Wentz’s book.

Wentz suggests keeping a health journal using “a method you are likely to stick to.” For me, that’s blogging. I’ll probably keep some private notes, but maybe this can even be helpful to somebody else to follow along. So to the extent I feel okay doing it, I’ll be keeping my journal here, in the Health category.

Wentz suggests beginning by identifying health goals. Here are mine:

I want to have more energy. I am tired, all the time. My kid will tell you. I’ve been the kid with the tired mom and I’d love to spare my kid that. So this is my highest priority. Right now, if I go on an outing with my kid, I have to take the rest of the day and potentially the next day to recover. So my energy goal is to be able to go on a family outing and stay in the swing of things the next day.

I want to feel better about my looks. Mostly I think I’m pretty cute, but sometimes I feel dull and puffy. I’d like to look in the mirror and be not dull and not puffy. I’m not going to worry about weight or even girth because those are tricky targets and easy to disappoint me. But I’d like to look in the mirror and see someone with normal bags under her eyes, not extreme ones, with pink and cheery skin rather than wan white skin, with more hair than I have now and with an appropriate amount of white hair for her age. (There is a clear distinction between the amount of white hair I have when I’m well and when I’m ill. I don’t want to eliminate it, just to have what seems like a reasonable amount of it. And then maybe dye it green.)

I want to have endurance when swimming. One pool length wears me out right now and I can’t at present exercise myself into improving that due to the relationship between thyroid hormone levels and respiratory function. But I want to be able to swim in a mermaid tail for long distances. My ultimate goal is 300 yards but I’ll set an intermediate one for now. By next July, I’d like to be able to do 2 full laps with only 12 breath rests.

Those seem big enough for now.


On preferring learning to doing

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I love to read about writing. I’m the kind of person who finds Strunk and White fun. I keep buying books about writing: Stephen King’s On Writing, Ursula K. LeGuin’s conversations, and many more. And I do write: mostly blog posts and email messages these days, but I have written just about every format there is. I have not shared or attempted to publish much of that writing, though.

What keeps me from doing it? What has me loving reading about craft but rarely implementing what I read? It’s not that I never write but rather that I enjoy reading about writing perhaps more than writing itself. (No, that’s not quite right. I actually enjoy writing, even genres/formats I think I don’t enjoy, like book reviews. I loved writing last week’s book review of Brent Spiner’s Fan Fiction, despite constantly telling myself I don’t like writing book reviews.)

I think one of the things that keeps me hoarding and absorbing resources but leveraging them less frequently than I acquire and engage with them is my love of learning. I was working on a blog post about qualitative research for a client today and my head started swimming with how much I love learning about different methods of qual research. And I love doing it, too! I love creating a research design. I love finding the meaning in the data. But I think I love learning about new techniques for it even more. I was talking with W. about how readily I forget that I actually love doing this thing I spent six years learning to do - I went into the PhD explicitly because I wanted to devote time to understanding research methods. My PhD is in qualitative methods as much as or more than it’s in my discipline. (Except I love my discipline, too, which I also sometimes forget!)

Back to the point, here: W. suggested that perhaps UX careers would be a good fit, a place where a person could do qualitative research. I told him yes, that or market research. And then I told him that I don’t want to just do it in service of whatever business would want to hire me for it as much as I want to learn about it and share what I learn with other people so THEY can do it.

And then I said, “But what I REALLY need to remember is that I already have a client paying me to do exactly that.”

So I’m actually getting paid to do the learning I love. In a very real sense, I am at present, living the dream. It would serve me well to remember that.


Book Review: FAN FICTION by Brent Spiner 📚📺🖖‍‍

If you make a purchase through a link in this post, I may earn a commission.

Quick head’s up: In this review, I use “Brent” to refer to the character and “Spiner” to refer to the author.

Publisher’s Summary:

Brent Spiner’s explosive and hilarious novel is a personal look at the slightly askew relationship between a celebrity and his fans. If the Coen Brothers were to make a Star Trek movie, involving the complexity of fan obsession and sci-fi, this noir comedy might just be the one.

Set in 1991, just as Star Trek: The Next Generation has rocketed the cast to global fame, the young and impressionable actor Brent Spiner receives a mysterious package and a series of disturbing letters, that take him on a terrifying and bizarre journey that enlists Paramount Security, the LAPD, and even the FBI in putting a stop to the danger that has his life and career hanging in the balance.

Featuring a cast of characters from Patrick Stewart to Levar Burton to Trek creator Gene Roddenberry, to some completely imagined, this is the fictional autobiography that takes readers into the life of Brent Spiner, and tells an amazing tale about the trappings of celebrity and the fear he has carried with him his entire life.

Fan Fiction is a zany love letter to a world in which we all participate, the phenomenon of “Fandom.”

Let’s get the fanfiction discussion out of the way.

If you are into fanfiction, you probably know that, despite anything the OED may tell you, fans (or fen, as we’re sometimes pluralized) write it as all one word: fanfiction. Spiner’s book is titled Fan Fiction. But there’s a reason, I promise! In spite of Spiner not writing this the same way as fans do, I can fanwank the title! The novel itself, you see, is mostly Fiction, and it’s about not only Brent dealing with the attentions of a scary Fan, but the ways in which Brent is a Fan himself.

There is a point at which Brent tells Patrick Stewart that he feels as if he is a character in a work of fanfiction. At first, I thought, “Whoa, an actor aware of fanfiction in 1991?” but then I remembered that this is Star Trek, one of the first media fandoms and the first fanzine-based media fandom, and that the first issue of a newsletter devoted to Data and Spiner was released in the fall of 1987, well before this book takes place. That newsletter (adorable titled Data Entries) published its first piece of fiction in issue 3, which was published in spring of 1988, again well before this novel takes place. It’s worth noting that the first issue of the newsletter discusses establishing a fan club for Spiner and later issues report that Spiner requested that fans not do this and that the newsletter not include photos of him out of makeup. While the driving force in the novel is a fan who is creepy as can be, there were a lot of active fans of Spiner’s who were careful to respect his privacy. All of this to say, of course by 1991 Brent would be aware of fanfiction, though whether he would have actually read any for Star Trek or anything else is something I don’t know.

What I loved:

This book is a lot of fun. Brent Spiner makes it impossible to know what draws on real life and what’s totally made up, though there are interviews where he clarifies it a bit.

I can’t include exact quotes because I only have an Advanced Reader’s Copy and not a final version, but I can share some of my own notes with you. I think that will illuminate what I love about the book better than a summary can.

There’s a point at which Brent goes to see a detective at the LAPD. This detective offers a lot of assistance regarding Brent’s stalker, but of course he finishes their meeting by telling Brent he has a TNG spec script that involves Data traveling back in time to the 20th century to team up with a character who is clearly a self-insert for the detective. But really, who among us doesn’t have a TNG spec script that features Data collaborating with a self-insert character? When I was in middle school, my best friend and I plotted out the beats of an episode where Data teams up with a middle school-aged flautist to communicate with the Crystalline Entity through music. The middle school-aged flautist was a self-insert for my best friend; Data was guaranteed to be a Data Sue for me if we had actually finished the script.

Spiner portrays himself as a nebbishy, anxious wreck, which completely contradicts the image I have of him in my head as a confident, charismatic, and hilarious performer. It made me feel more aligned with the character Brent, which is nice because as someone who sees myself in Data, there was the risk I would find Brent to be so different from his character as to be not relatable. I too am an apparently confident and charismatic person who is actually an anxious wreck. (Can women be nebbishy? If we can, I am on the inside but not externally.) Because of this, I found Brent super relatable.

We get a glimpse into the glamor of a Hollywood life here when Brent puts in a CD in his car in 1991. How fancy is he? My family didn’t get a car with a CD player in it until probably 2000 or later. We bought one with a tape deck in 1993.

Spiner references his comedy influences in the book frequently; at first, I didn’t think of him as a comedic performer, in spite fo thinking of him as a funny person, but remembering that he was part of a panel on humor in Star Trek as part of First Contact Day 2021 reminded me that this is, in fact, a huge part of his work. Spiner’s comedy chops shine through in the book, when he has Brent drop jokes in a classic comedic structure. Again, I can’t tell you the exact quotes, but there are a lot of places where my annotations say things like “Fucking hilarious” and “Brent Spiner is a goddamn delight.”

Spiner confirms what I already knew (and used for my Data cosplay at my dissertation defense): Data is not white. He is gold. I liked that he confirmed this and mentioned it pretty frequently.

Spiner portrays Gene Roddenberry and Majel Barrett-Roddenberry as freaking adorable. I don’t know what they were really like, and I know that Majel wasn’t the alpha and omega of Gene’s attractions and romantic/sexual relationships, but DAMN, so cute.

Spiner’s portrayal of his TNG classmates is, according to his SyFy interview, exaggerated; it’s also delightful. Levar Burton is the most enlightened hippie in hippietown and Patrick Stewart is 100% So Very RSC.

What I wanted more of:

There is a lot going on in this book, in spite of it focusing strongly on one storyline: Brent dealing with the mysterious fan who is stalking him and seems to believe she is his daughter from the Star Trek: The Next Generation episode “The Offspring” (almost there in my rewatch!), Lal. I wish we’d gotten to spend a little bit more time with any of it. It’s a fast and fun read but it wouldn’t have been hurt by I having more time on set, more time dealing with the mystery, more time with Brent handling his complicated relationship with FBI Agent Cindy Lou and her twin, private security guard Candy Lou.

What I need to warn you about:

Spiner’s writing voice here is sparse. I think this is because Spiner is putting on a Chandleresque voice; reading the Google Books preview for The Big Sleep confirmed this for me. I rarely read hard-boiled detective fiction or noir; I’m more of a Victorian/cozy kind of gal. Because of this, the voice took me by surprise. If you’re used to that kind of writing, I think you’ll go, “Yep.” If not, know that it’s an intentional style.

While Spiner imitates the voice of a hard-boiled detective here and “mem-noir” is a delightful neologism to describe what he’s written, this has a more optimistic vibe than is typical of noir or hard-boiled detective stories. There’s a mystery, the book is set in LA, and Cindy Lou and Candy Lou could be credibly called dames, but that’s where the similarities end.

There are a couple of anachronisms that I wonder if they’ll be in the finished book. There’s a point at which Spiner uses the word “besties,” which seems to have first appeared in 1991. So it’s possible it would be used in the context of this story, but it would be very cutting edge. There’s also a character described in the epilogue as having been taking online classes for years, and I can’t tell if the epilogue is supposed to be from the perspective of Spiner-now, as the prologue clearly is, or Brent-then. So that might be an anachronism or it might not, I can’t tell.

Some people have criticized Spiner’s portrayal of women in the book, especially the twins Cindy Lou and Candy Lou, as being too limited and focused on them as sexual objecsts. It’s a fair critique, but it didn’t bother me.

Final word: Fans of Star Trek: The Next Generation should definitely check this out. Noir readers might enjoy it too; Spiner does a good job of explaining things about the show that non-fans might otherwise confusing.

Book: Fan Fiction
Author: Brent Spiner
Publisher: St. Martin’s Press
Publication Date: October 5, 2021
Pages: 256
Age Range: Adult
Source of Book: Digital ARC from NetGalley


My 20th Domainiversary

Today is the 20th anniversary of the first time the Internet Archive captured my first personal domain. The 20th anniversary of my first blog post was in March. That first post was in hand-rolled html, written in Notepad and FTPed to my host at envy.nu. It used fixed scrolling over a background image of Death from the Sandman comics.

My early blog posts were typical of a personal blog: what was going on with my classes, what I thought of video games I played and movies I saw, political opinions that thoroughly embarrass me now. My current blog posts aren’t that different now than they were then, but it’s much harder to find other personal bloggers now that blogs are a ubiquitous marketing tool.

I’ve liked blogging all this time. I plan to keep doing it.

🥳🎈🎉🎊🎂


In defense of not living up to your potential

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Betsy Greer shared some pages from Carol Dweck’s book Mindset on Twitter this morning. I was reading along, thinking, “YEAH!” and being proud of myself for moving from the fixed mindset of my youth to the mostly growth mindset of my adulthood, when I bumped up against the end of the second quote she had highlighted:

[In a growth mindset, failure] means you’re not fulfilling your potential.

Not. Fulfilling. Your. Potential.

This set of words and its variant, “not living up to your potential,” make me grouchy. It’s not right to say they’re triggering, but they are an echo of educators from my past who made me feel I had a responsibility to live up to their assessment of my potential.

I don’t.

My potential is mine to fulfill or to waste.

This might not seem like a big deal to many people. But for a person with anxiety, this phraseology feels like a confirmation of all the unkind things I say to myself.

I have a PhD. That’s something only 1.2% of the US population can accurately say about themselves.

But I also was not very productive in the academic sense: my publications are all in either revision or preparation even after I graduated, I didn’t get any awards or grants on my own, etc etc. So it’s easy to scold myself for not having been productive enough during my PhD. For not having lived up to my potential.

I have to remind myself that the PhD was instrumental: I wanted time to read and write and understand qualitative methodology better, and I got all of those things. I didn’t go in caring about publications so why should I start now?

My potential is mine to fulfill or to waste.

The list of things I haven’t done is long. The list of things I have done is also long. I tend to be guided by my intuition and while my big life decisions may be based on logic and in consultation with important people in my life, my day-to-day is generally led by what feels possible and what feels good. (Hat-tip to Katy Peplin for “what feels possible.") There are more things I will do. There are many things I won’t do. All of that is okay.

I have no obligation to live up to someone else’s perception of my potential. And neither do you.

Your potential is yours to fulfill or to waste.


My post-PhD identity crisis, #motherscholar edition

I am making a few notes here now that I hope to turn into a longer post later. As I scrolled Twitter and read there what some colleagues have been working on, I started to feel my current post-PhD existential crisis take a new and unexpected shape: the shape of wishing I knew a way to stay in academia.

Here are the things that have kept me from pursuing an academic career after graduation:

  • watching tenure-track colleagues be miserable
  • lack of mobility (it would be very challenging to find a position, even tenure-track, that would be worth uprooting my family for, and I refuse to live apart from my family)
  • being a mother (I also refuse to prioritize career over family)
  • being chronically ill/variably disabled (I also refuse to prioritize career over health)

Here are the things that today appeal to me about academia:

  • pursuing a research agenda that I design

That’s actually about it, and as a freelance academic/independent researcher, I can probably work out a way to do that but today it feels like it’s in conflict with everything else I’ve got going on.

Which is why I’m going to dive into the #motherscholar literature.

More on that later.


Dr. Kimberly's Comedy School: Pairing the absurd with the mundane

If you have access to it, watch The Simpsons, Season 1, episode 3, “Homer’s Odyssey.” This bit happens at around 12:50: Depressed due to losing his job, Homer decides to throw himself off a bridge. He ties a rope around a huge boulder, then ties the other end of the rope to his waist. When he goes to open the gate in the fence around the yard, struggling to carry the boulder, he finds the hinges squeak. He then interrupts his suicide attempt to get a can of oil and oil the gate’s hinges. This cracks me up because in the middle of a devastating act that he is carrying out in a ridiculous way, he stops to take care of this mundane problem.

Is he doing it because he doesn’t want to wake his family with the squeaking? Could be. The rationale is irrelevant. It’s the juxtaposition of the extreme and absurd with the quotidian that makes this moment work for me.


Advice for new parents and parents-to-be

I have a friend who is due to have a baby in January. I offered to write up a bunch of notes for her and realized it would make a pretty good blog post, so here we are.

Make a list ahead of time of ways to help. You won’t want to think about it once the baby’s born. Share the list with people who you think will want to help. (I just put out a call on Facebook asking for who wanted this information.) If someone offers to make a meal train or whatever for you, take them up on it, but you don’t have to wait for an offer. You can do it for yourself.

If you’ve got the money and a place nearby that makes prepared meals, do this for the first couple weeks. It’s amazing.

Stock up on easy snacks. If you’re nursing, you will need to eat all the time. Get a giant straw cup to drink water from. My doulas recommend a giant Bubba Bottle.

Populate your streaming services with queues of everything you’ve been meaning to watch. Again, if you’re nursing, there will be cluster feeding nights when streaming this stuff will save your sanity, and you don’t want to pick which thing to watch in the moment.

Read these books:

Get the latest edition of Baby Bargains and use it as reference material.

If swaddling seems like a real challenge, try a Miracle Blanket. They don’t work for everybody but if they work for you, they are the best thing ever.

If you’re nursing, get a My Brest Friend pillow. So much better than a Boppy or whatever.

If you have the energy, try to assert your needs to family that wants to hang out with the baby. You might find it a huge relief to have the baby taken away for a while but you might find it really upsetting. Communicate with people about what you’re feeling. I was not good about this. I wish I had been. The first few weeks would have been happier if I had.

Remember that Boppy that isn’t super helpful for breastfeeding? It’s actually a great pillow for keeping your genitals and butt from having to touch real furniture. If you have a vaginal delivery, those parts of you will hurt. Not putting them on real furniture and instead having them propped up with a pillow with a hole in the middle will spare you a lot of crying in pain. Sit on the Boppy.

Learn to use a baby carrier ASAP. YouTube is your friend for this. In fact, YouTube is now your co-parent. Go to it whenever you can’t figure out what instructions are telling you to do. Including for the Miracle Blanket.

Don’t go to YouTube for hand expressing milk advice, though, because it will show you things that are more designed to turn people on than to educate them, and that’s not helpful. (Unless that’s what you’re into, in which case it might be helpful. But I found medical information about this much more helpful.)

Seriously, though, learn to use that carrier because then you will be able to use your hands for things like feeding yourself.

Your baby will hate tummy time. (Learn what tummy time is if you don’t know yet.) If your baby cannot handle it without misery, try rolling up a little receiving blanket and propping it under baby’s armpits. This turned tummy time from hated time to happy time in our house.

Try to remember that this is a temporary time. You are becoming a new version of yourself. You don’t know what this version of yourself will like or care about. You will probably have an identity crisis. Becoming a parent is a lifestage not unlike adolescence, especially if you’re the birthing parent with all the hormones that come with that. (People use the term “matrescence” to refer to becoming a mother. I don’t think there is a similar gender-neutral or non-binary term, and I suppose maybe somebody uses “patrescence” to refer to becoming a father, but I haven’t heard it.) It’s okay if you don’t know who you are right now but I promise you are other things as well as a caregiver. Caregiver is just taking priority right now.

When you feel like you’re doing it all wrong and you’re the worst parent ever, get quiet and check in with your intuition. If you’re like me, it will tell you what to do.

Many thanks to my friend Monica, everybody at Emerald Doulas, and Victoria Facelli for all the things they taught me that contributed to my ability to write this post.


The questions driving me right now

I read Ravynn K. Stringfield’s How I Became a Scholar of Black Girl Fantasy and felt energized. I felt energized specifically by how she found role models who were doing the work she wanted to do, how she came to terms with being able to be a scholar AND a writer of other genres.

I attended her class The Scholar’s Guide to Writing & Publishing Creative Nonfiction and she talked about pursuing questions. She talked about that in her essay, too.

And I thought, what questions motivate me?

I went back to my PhD personal statement. The question motivating me there was broad. It was basically “How do Connected Learning in school libraries?” Meme style.

I drafted it in 2014. I have changed a lot in the last 7 years. Connected Learning has changed a lot in the last 7 years.

And I’m still delighted by people loving things and all the amazing learning that comes from that, but… I don’t know. I don’t feel like I’m interested in that set of questions right now.

I love reading about affinity spaces.

I really loved my dissertation topic.

But now? What now? I wrote my proposal before COVID-19 was well-known.

I defended my dissertation when there seemed to be hope on the horizon: I was freshly fully vaccinated and things were looking up.

I’m despairing about a lot now.

I’m also jazzed about the possibility of taking some time to be a writer.

But a writer of what?

I don’t know.

I’ve been banging my head against WHAT NOW?! as if it’s a puzzle I can solve if I just look at or play with it long enough but I think I’m not there. Doing all the parachute-color-style exercises isn’t what I need right now; it just leads to frustration and exhaustion.

I did a couple Self-Employed PhD sessions with Jennifer Polk back when I was still working on the dissertation. I knew that I could go a lot of possible directions with either traditional or self-employment. I said so. People said “So what’s the problem?” I said “Well I have limited time and energy so I need to pick one to try first.” People said “Well what do you want to do?”

I said:

I WANT TO REST.

I want. To. Rest.

My dissertation has been fully submitted since mid-May. I officially graduated on May 16, I think.

I have been “resting” for 3 months.

But “resting” has meant caring for my son and drumming up client work. It’s meant applying for jobs. It’s meant presenting for both professional and personal endeavors. It’s meant figuring out how to safely get my kid into preschool so I can work. It’s meant agonizing over the fact that while I am incredibly lucky and privileged to be in a position to take time to figure out what’s next, I hate the idea of my husband paying my student loans. Partly because I fear his resentment.

Partly because like… what do I have all these degrees for if all I do is sleep?

Some of what I’ve been doing has been home ownership management. Lots of logistics.

I do not feel rested.

A lot of things happened over the course of my PhD in my family and personal life, in addition to the world being what it has been since 2015. Listing it really bums me out so just trust me that it’s been A LOT and it has taken a toll. And when I look at it all written out, as I did privately for myself last night, I think:

NO WONDER I AM SO TIRED.

So the questions that are driving me, for the foreseeable future, honestly, are:

  • What do I HAVE to do to care for myself, my family, and my home?
  • What feels good?
  • What heals me?
  • What energizes me?

Those are all the questions I can handle right now.


What I Learned from Recording My Micro Camp Talk

I learned a lot from recording my Micro Camp 2021 talk. If you watch it, you’ll notice a pretty big sync problem starting a bit before the 6-minute mark.

Most of the stuff I learned is related to that.

I recorded the video last minute, which I will try not to do in the future. It doesn’t leave time for fixing problems.

I was trying out new recording software, Loom. I don’t know if it was because my computer is old, my wifi was slow during recording, or a combination of the two, but as I understand it, Loom records to the cloud and the lag getting the recording from my computer to their server is probably responsible for the sync error. From now on, I’ll do my recordings locally and back up to the cloud after the recording is done. I don’t think I’ll use Loom with my current computer anymore.

I didn’t watch the video to make sure it worked. I was tired of my own voice (this almost never happens!). If I’d watched it, I’d have noticed the sync problem right away and could have re-recorded with different software. I’ll watch right away next time.

I thought I had submitted the video correctly. I had not. I don’t know if I didn’t click a button, if I closed a window too soon, or what. Next time I’ll watch carefully for confirmation.

I don’t have any very good video editing software on my computer so if I wanted to fix the sync error without re-recording, I couldn’t have. I’ll investigate different recording options before I make another video.

Also, as soon as I can, I’ll get a new laptop because a six-year-old low-end Acer isn’t going to cut it for creating much besides words.

What have you learned recently?


Some notes on my Time's 100 Best 📚 Plan

Because fantasy is the genre I read the most and YA is the market segment I read the most, I’ve already read a lot of the books on these lists.

If I come to a book I’ve already read, I will ask myself if I want to re-read it. If the answer is yes, boom, I’ll re-read away.

If the answer is maybe but not right now, I’ll keep moving down the list and ask myself again later.

If the answer is no, I’ll write a quick blog post about what I remember about the book and how I felt when I read it and move on to the next.

Another thing: a lot of these books are in series. If the book is the first book in a series and I enjoy it, I’ll do a check-in with myself to see if I want to take a detour from the list and read more of the series. If I do, I will.

If the book is a later book in a series, I will attempt to read the books that come before it. I like to read books in (publication) order, even if I don’t have to. If I decide not to finish the first book in the series, then I will move on with the list and try the listed book on its own later.

These plans are intended to prevent me getting bored and giving up on the project and to make sure I try as many new-to-me books as possible.


What I Learned from Sewing Napkins

And some stuff I already knew but needed the reminder sewing napkins gave me.

1. If you want things to be the same size, cut them at the same time. Corollary: This is easier if you have a rotary cutter and cutting mat.

I made 4 napkins. Three of them are slightly different sizes and one is much smaller than the rest. This is fine. But my next project is a pillow, and I’d really like the two pieces of fabric I need to be nearly identical in size.

I knew this already because as I watched my mom sew garments I would see her cut both sleeves at once. The way you do this is fold the fabric in half with the side you don’t want to show in the finished item out. You pin or draw your pattern on, and then cut around it.

The easiest way to do this is with a rotary cutter, which has a round blade and a handle and you can essentially trace the pattern with it and it will cut through multiple layers of fabric. I don’t have one right now but I’m probably going to bump the one on my wishlist up in priority. But I think for only doing two layers, my fabric shears will do just fine.

(Do not use fabric shears to cut anything else ever.)

You need a mat to put under the project if you’re using a rotary cutter so it doesn’t cut into the surface you’re using to hold your fabric as you cut.

2. I really need help to sew a straight seam.

At first I thought I needed to practice this but my friend Casey gave me some magnetic seam guides for my birthday. I had forgotten those existed. These are little magnetic bits of metal you attach to a piece of the sewing machine called the throat plate. The throat plate is the thing the fabric scoots across as you’re sewing. Keep the fabric right up against the seam guide and you don’t have to remember where it should be. Which was my problem, I couldn’t remember how much fabric I wanted to the right of the seam.

3. If your pressing doesn’t get the fabric flat enough, you can help it with your fingers.

Most of this project involved sewing through three layers of fabric. The fabric was folded under itself to hide the edge because people can see both sides of a napkin (as opposed to a garment, where people can’t see the edge unless you pull the garment up or take it off). Sewing the edge of the fabric so it’s folded and doesn’t have a raw edge is called hemming the fabric.

On the corners, though, I had two sides' worth of folds to sew through, so I was sewing through six layers and I hadn’t been able to press it with my iron fully flat.

But guess what? I have fingers! And I could just barely put a little pressure on the fabric to get it flat enough, so that’s what I did.

4. Sewing is super satisfying.

I crocheted myself a cardigan last fall and it took months. I could probably sew a cardigan in an afternoon. It’s really nice to see the results of your work so quickly.

What have you learned lately?


Putting yourself back together

I’ve written before about how matrescence is like kintsugi: having a baby shatters you and the living you do after you have the baby puts you back together with shiny gold holding you together. But I haven’t articulated how putting yourself together is a long process.

Meg at Sew Liberated writes today about the twelve year project of making a skirt that she started when she was a new mom and only finished recently. Her oldest is 12.

Part of the kintsugi of matrescence is finding the pieces. I misplaced a lot of mine in the time after my son was born. He’ll be 5 in October. I’m gathering the pieces but a lot of them are still in a pile waiting to be stuck to the me that’s here now.

I find them in moments when I’m doing something and suddenly feel more me than I have in a very long time. When I stay up late coding. When I watched the Stephen Sondheim 90th birthday concert. When I talk through a research design with colleagues.

Putting yourself together is an ongoing project; we’re each a big Katamari ball of experiences and interests. (How’s that for a dated reference? Have I mentioned I’m 40?) In my case, at least, that ball got blown apart. It’s encouraging to find all its bits are still within reach.


What a beautiful day! We're not scared. 🐻

Are you familiar with the poem/book/animated short film WE’RE GOING ON A BEAR HUNT?

I highly recommend it. Kids wander through all types of terrain trying to find a bear. They come across many obstacles: long, wavy grass; thick, oozy mud; and others. The refrain is this:

We can’t go over it, we can’t go over it, oh no, we have to go through it.

Katy Peplin’s recent newsletter about being in the middle and getting discouraged made me think of the bear hunt.

Everything in life is a bear hunt, isn’t it?

But of course, while the kids are in the middle of each obstacle, they’re having fun. The mud goes squelch squorch. The grass goes swishy swashy.

It’s just another variation on the journey being more important than the destination.

What are we rushing toward? Can we find joy in the hard parts?


My personal history with sewing 🧵

I promise I’m going to write about what I learned from sewing napkins soon. But first: my personal history with sewing!

I’ve known how to machine sew for a long time (and how to hand sew for even longer). My mom is an accomplished sewist and made a lot of clothes and costumes for my siblings and I as we were growing up. She even made my prom dress. I didn’t sew with her, but I learned a lot of techniques just from being around while she sewed. Mainly how to be a perfectionist about your sewing, which has both benefits and drawbacks. (She never presses seams open or leaves a pinked edge. All her seams are French seams. Gorgeous, but intimidating to a less experienced sewist.)

I didn’t actually use any of what I’d learned from watching her until I took a required tech class as part of my dramatic art major; I chose costuming (this is where W. shakes his fist because in his day you had to do both cost shop AND set but by the time I got there 3 years later, you got to choose). One of the assignments was to design and construct a garment. I made a dress to fit me, lightly inspired by this Drusilla costume from Buffy the Vampire Slayer:

The process involved making a paper pattern on a dressmaker’s dummy (heavily padded in my case), then a muslin, and then finally the real thing. I finished the edges with a zig-zag stitch and pressed the seams open, because that was what I had time for. I wished I’d been up to French seams but it just wasn’t going to happen.

The dress had darts out the wazoo: bust darts at both the sides and bottom of the bodice, back darts, darts at the back of the waist. I made sure it fit me just right and I wouldn’t settle for anything baggy or saggy. (Maybe that’s why I didn’t have time left for French seams.) The director of the costume shop saw it and said I could do haute couture with that level of fitting.

I loved making it. I was very proud of it. I also learned that you really need to include a slit in the skirt if you’re going to make a long sheath dress, or your stride will be limited to teeny tiny steps. (I did not include a slit. In spite of it’s excellent fit, the dress didn’t get a lot of wear because of this.)

I wanted to sew more but I was saving all my money for traveling to *BtVS* fan parties (that’s an account written by a journalist of the first Posting Board Party I went to) so I didn’t grab a machine until my mom noticed one at a yard sale down the street from her. The machine and its cabinet were going for around $70, so I bought them.

I sewed exactly one thing on that machine, a costume for me to wear to go to the movie Troy. (Remember when Legolas and The Hulk were brothers?) It was actually a costume that, if historically accurate, would have been no-sew, but I was afraid a no-sew version would fall off. So I made myself a chiton with some success.

And the next time I used that sewing machine, the needle got stuck in the bobbin. And so I did not use it. I kept moving around with it; I think that machine moved with me five times.

At the North Carolina Maker Faire in, I don’t know, maybe 2014? I sewed a quilt square for a big communal quilt somebody was building there. I loved it. It reminded me that I actually loved sewing, and I wanted to do more. So I promised myself I would.

But I didn’t.

When I finally got the machine out for the first time recently to try again, after great success winding the bobbin and threading the needle, the same thing happened. I tried cleaning and oiling the machine, but that didn’t fix the problem. I decided to give up on that machine, for which I could not find a manual online and which was lacking many features of modern machines, such as numbering on the thread guides to tell you what order to thread it in.

So I asked for a new machine for my birthday, and I got one!

And I decided to use Craftsy’s Sewing 101 class to help me get back into it, since I hadn’t really sewed in 17 years.

Which is how I ended up making those napkins.

And I’ll tell you what I learned from making them soon, I promise!


Random stream-of-consciousness life updates

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Hello, everyone! How are you doing?

Over here, I’m on Day 6 of being In My 40s and it’s going just fine. I had an amazing birthday party: I rented a big gazebo area at the neighborhood pool (which is a fancy pool with an expensive membership fee but that membership fee is cheaper than a summer’s worth of camp, so…). I invited a lot of people and some of them came. I got to see some friends for the first time since before the pandemic, as well as invite family out to a place they hadn’t been before (i.e. the pool). We weren’t worried too much about COVID because of being outdoors and it was just really delightful. And it also felt a little like a celebration of me finishing the PhD, too. Also, I swam for a while in my mermaid tail and got to talk to some kids who really liked it and wanted me to go underwater so they could go down and watch what my swimming looked like under there. 🧜‍‍♀️

I also sewed those napkins! Remember? And for my birthday my friend Casey introduced me to pre-filled bobbins, which I’m very excited about. Next up, I’m going to sew a pillow to put on my desk chair. The fabric is MANATEE fabric and I’m psyched.

I did some important businesslady things today. Most importantly, though, I made a to-do list for the businesslady things I need to do tomorrow. Here’s where I stand right now:

  1. I’m doing consulting for Quirkos, a company that provides qualitative data analysis software. I have had a bit of a crush on qual since Day 1 of my Field Techniques in Educational Research class and it’s the primary kind of research I’ve done, so I’m excited to work with an organization that is dedicated to supporting it.
  2. I’m developing The Quiet Space, a project to provide structure for scholars and other knowledge creators so that they are free to focus on creative work.

In September, once my kid is settled into preschool, I hope to get in touch with some other potential consulting clients.

I talked with my doctor on Friday. My thyroid numbers are moving in the right direction, but still not where I want them to be. I worried that a change in my prescription dosage would be too extreme, so we agreed that I would up my intake of l-tyrosine. My glucose and hemoglobin A1C are high, meaning I’m pre-diabetic. I also have a lot of intense PCOS symptoms like acne, hirsutism, and oligoovulation. My primary focus right now, aside from caring for my kid, is working on healing this so that my PCOS is well-managed. I’m using Amy Medling’s book Healing PCOS to help me with that.

Aside from that, I’m reading Harrow the Ninth, which is super fun.

What’s new with you?


Austin Kleon's pirate-gardener

Austin Kleon writes about his desire to be a pirate-gardener,

I’d like to stay happily at home, in the studio, planting my seeds and cultivating my garden, and when I get bored, like Ishmael, and “I find myself growing grim about the mouth,” then it’s time to take to the seas and do some pirating, steal a few seeds from foreign lands to bring back to my own garden, where I’ll stay happily until I get bored again.

I think the gardening affords you the opportunity to pirate.


Who will I be at 40?

Three makes a pattern, so this is the year that blogging about who I want to be in this year of my life becomes a tradition. Shout out to my friend Little Willow, who inspired the idea by making her New Year’s resolutions on her birthday.

Part of the tradition is looking at who I wanted to be last year and seeing how close I got. The big one, being a Doctor of Philosophy, happened in April/May. The rest were, fittingly, not so much in focus.

But the microbusiness. The microbusiness! I’ve been taking strong steps in that direction, lining up my first consulting client, creating a little trickle of passive income with my Notion templates, and dreaming big about what the future holds for The Quiet Space.

Hard as it was with the pandemic and my grandmother’s death, 39 was still on the balance a good year. (This is the moment where I acknowledge that the year I was age 39 was actually the 40th year of my life, since we live a full year before our birthday. Yes, Daddy, I know we use zero-based indexing for ages.)

So what’s next?

I think I want to be a little less ambitious about 40, to set fewer goals.

I want to be a loving and mostly gentle mother.

I want to take care of my own body, including making clothes built to fit it.

I want to keep trying new things and growing as a self-employed person.

I want to be aware of my impact on the earth and do what I can to make it gentler. I recognize, however, that this is a systemic problem that requires more than individual action, which is why I joined the Alliance for Climate Education mailing list and will start donating to them monthly as soon as I have something resembling a steady income.

I think four is a good number, so I’ll stop there.

Who will you be this year?


Stream-of-Consciousness Quick Review: Kristen Arnett's MOSTLY DEAD THINGS 📚🦩 (or, Kristen Arnett Please Be My New Best Friend)

I may receive commissions for purchases made through links on this post.

Kristen Arnett is Florida’s and the Internet’s Lesbian dad. Her puns are a delight and her “The existence of ___ implies ___" joke structure cracks me up every time she uses it. I have no idea when or why I followed her on Twitter but I’m glad I did. I love her Twitter presence so much that I thought I would probably love her books, too.

I didn’t have a lot of expectations going into MOSTLY DEAD THINGS but I feel like I’d seen the phrase “darkly funny” tossed around in reviews.

I was surprised when every part that I bet other people found funny made me sad.

MOSTLY DEAD THINGS is a great book and humans who read should try reading it.

It operated on a very visceral level for me for a few reasons.

  1. It’s set in Central Florida. I lived on the east coast of Center Florida (mostly on the Space Coast) for the first 7 years of my life, years that loom large in how I think of myself and what feels like home. I lived in Tallahassee for another couple of years. Even though I’ve spent almost 80% of my life living in North Carolina, I still consider myself a Floridian. The feel of Florida - swampy and magical at the same time, hot and sticky but in a way that works with nostalgia, full of things that can kill you but are also kind of cool - resonates with my heart and is all over this book.

  2. The characters in it are mostly in a very specific lower middle class Florida-version-of-Southern (probably white) culture. This is the kind of culture I was familiar with for most of my life, despite my family being genteel poor (and only kind of poor but like sometimes living on federal assistance so definitely not wealthy). The main character Jessa-Lyn has deep nostalgia for her youth spent burning Christmas trees by the swamp, hanging out by the lake, drinking water out of a hose at her best friend/only love Brynn’s trailer home. I think this is what my summers might have looked like, had I stayed in Florida. For special occasions you have homemade pie on pretty paper plates.

  3. It is so infused with nostalgia and I am a sucker for that kind of thing. Arnett and I are very close in age so our referents for the things people wore and the way they did their hair as tweens and teens are basically the same.

  4. The dynamic of a mother who is capable of lots of cool stuff but doesn’t feel like she’s had the opportunity to do it resonates with my family history across multiple generations.

  5. My last real connection to Central Florida is dissolving last week as my mother and uncle close the sale of my late grandmother’s Melbourne house.

This is just a sampling. Basically this book squeezed my heart and pushed on bruises. It eventually patched it up but, you know, mostly in the final act.

Highly recommend.

🦩🐊


The water and the moon are my teachers. 🌊🌕

Tonight is the New Moon in Cancer. Next Wednesday is my birthday. My Sun, Ascendant, and Mercury are all in Cancer. I don’t believe the stars determine our destiny but as with all magical tools, I do believe they can help us set and live up to our intentions.

Cancer, the Crab, is a watery sign and ruled by the moon. I’ve always felt a connection to water, from when I was a tiny toddler fighting the undertow on Florida beaches, still now as I bob about with my kid in the pool after his swim lessons most days.

The moon is connected to water through the tides.

At Weeki Wachee Springs in Florida, they do mermaid shows, in which performers wearing fabric mermaid tails do water ballet. They also have a mermaid camp for grown-ups led by retired performers. Going is one of my dreams.

In one of the earliest episodes of The Mermaid Podcast, host Laura von Holt attends mermaid camp and interviews the retired perforners. One of them tells her, “The water is a teacher.” I have held this idea in my heart since I first heard it a couple years ago.

The water is my teacher. It can take the shape of any container. It can grow hard and expand when it’s cold. It can boil and evaporate when it’s hot. With persistence, it shapes land over time. It can be still. It can move rapidly. It can nurture life. It can reflect light. It can provide shade. The water teaches me to be flexible and persistent, to move how I need to.

The moon is my teacher. It never truly disappears. Sometimes it is in Earth’s shadow. Sometimes it shines the sun’s light down on us. It appears to change in cycles; it is both never the same and always the same. The moon teaches me to accept change as a constant and to retreat and shine as the time is right.

The water and the moon are my teachers.