Kimberly Hirsh

Ravynn K. Stringfield writes about the love evident in the rigor of Haniq Abdurraqib’s book, Go Ahead in the Rain: Notes to A Tribe Called Quest and what she writes is beautiful.

I had two newsletters in my inbox today that talked about the value of diving into an author’s complete works or backlist, A Love Letter to the Single Author Course by Ravynn K. Stringfield and Your next best friend by Austin Kleon.

Stringfield says,

To follow an author across the trajectory of their life, see how their styles and ideals changed over time, watch them venture into different forms and genres, was captivating. It was like the most immersive psychology class you could imagine. Under the guidance of the right professor and with appropriate supplementary materials—not just secondary sources, but writing by others that perhaps the author in question may have been inspired by or inspired with their own work—important cultural moments could be rendered in sharp relief. Literary disputes made as lively as any reality TV beef. Portraits of artistic communities shone. So much could be gleaned from taking an intentional walk through just one person’s corpus.

Kleon says,

We spend a lot of our lives as readers on the search for new books. But how many great books are already waiting for us on our shelves? How many favorite authors would we form deep relationships with if we simply read or re-read a few more of their books?

In the Discord community for the Fated Mates podcast, I’ve seen several of us do this with a particular author. Especially rewarding for me has been reading Sarah MacLean’s adult (as opposed to young adult) novels, watching her grow from writing the Regency ballrooms that populate so much of historical romance into creating a Victorian-era girl gang dealing out justice to people who are extra misogynistic as a backlist to Queen Victoria’s ascension to the throne. I love tracking features MacLean returns to and evolves. For example, her books usually include a high-emotion scene tied to some incredible location—an underwater ballroom, a bench where if you whisper on one end another person sitting on the other hand can hear you perfectly as if you were right next to them. But then she evolves this, so in a book where characters are on the road for much of the book, she deploys a gorgeous puzzle box in exactly the same way she deploys these magical locations and it’s a joy to behold.

I think it would be fascinating to take a romance author’s work—Stringfield suggests that Beverly Jenkins is ripe for this treatment—and dig into not just the texts themselves, but the texts the author might have been reading, the world events happening while they were writing.

I listened to the Fifty Shades of Grey episode of Fated Mates yesterday and in that, Sarah MacLean talks about how romance writers are all reading each other’s works and having a conversation in their books. Her casino series, The Rules of Scoundrels, was a response to J. R. Ward’s Black Dagger Brotherhood. I suspect MacLean’s series influenced Joanna Shupe’s casino book, The Prince of Broadway.

This makes me think of the concept of scenius, which Brian Eno coined but I learned of through Kleon’s work. What can we learn about the creative network present in an author’s life by doing a single author study either individually or as part of a group or class?

What authors’ backlists have you explored? Whose would you like to?

Finished reading: Oathbound by Tracy Deonn 📚

Ugh so good, Tracy Deonn is so wonderful and I hate that I have to wait a long time for the next book in the Legendborn Cycle and I also know writers need time to do their work. Probably will do a full series re-read ahead of the next.

📚💬 " ChatGPT has access to every poem ever written, at least in theory, but it can’t feel anything when it generates a poem from a prompt. Is this still poetry?" John Warner, More Than Words: How to Think About Writing in the Age of AI

I think one of the reasons I loved the early web is that you could exist on it purely as words. As a person whose body has often felt like a hindrance, it felt like magic to be able to communicate in the way that most made sense to me.

Finished reading: Radiant Child: The Story of Young Artist Jean-Michel Basquiat by Javaka Steptoe 📚

A gorgeous picture book biography.

📚💬 “Large language models do not ‘write.’ They generate syntax.” John Warner, More Than Words: How to Think About Writing in the Age of AI

📚💬 “It’s not that ChatGPT makes stuff up. It has no capacity for discerning something true from something not true. Truth is irrelevant to its operations.” John Warner, More Than Words: How to Think About Writing in the Age of AI

📚💬 “The things ChatGPT is ‘smarter’ at… are relatively limited as compared to our human capacities for experience, reflection, analysis, and creativity…” John Warner, More Than Words: How to Think About Writing in the Age of AI

📚💬 “What do we make of a technology that is simultaneously undeniably powerful, has access to all the information in the world, and can produce outputs at a speed unmatchable by humans, but at the same time is also untethered from reality?” John Warner, More Than Words

📚💬 “It’s a near certainty that generative AI can have some positive effects on human writing, but for that to be true, we must hold fast to what makes writing meaningful to humans.” John Warner, More Than Words: How to Think About Writing in the Age of AI

🔖 Here’s a project IMLS supported that you won’t see in partisan social media posts about where that 0.003% of the federal budget went: Libraries’ Roles in Disaster Preparedness and Recovery by Denise Lyons (Library Journal)

This is happening and I’m very excited. 📚

📚💬 “…segregating people by those who are allowed and empowered to engage with a genuine process of writing from those who outsource it to AI is hardly democratic. It mistakes product for process.” John Warner, More Than Words: How to Think About Writing in the Age of AI

📚💬 “…ChatGPT cannot write. Generating syntax is not the same thing as writing. Writing is an embodied act of thinking and feeling. Writing is communicating with intention.” John Warner, More Than Words: How to Think About Writing in the Age of AI

📚💬 “Removing thinking from writing renders an act not writing.” John Warner, More Than Words: How to Think About Writing in the Age of AI

📚💬 “All you need for Paris, Maggie, is a romantic heart.” Nora Roberts, Born in Fire

📚💬 “‘That was it,’ Maggie said with a laugh. ‘I was bright. Brie was sweet.’” Nora Roberts, Born in Fire

Finished reading: Born in Fire by Nora Roberts 📚

Technically I read this in the binding of the Irish Born trilogy that has all 3 books, but I’m giving myself credit for each individual book as I finish it. La Nora writes such a moving story.

Finished reading: Thank You, Omu! (Caldecott Honor Book) by Oge Mora 📚

A lovely picture book about generosity with super cool cut paper mixed media illustrations!

Finished reading: Before She Was Harriet by Lesa Cline-Ransome 📚

Finished reading: Shadow’s Heart by Kresley Cole 📚

In How to Tell When We Will Die, Johanna Hedva writes about how they are going to be in pain no matter what, so they choose to go out and have experiences that might cause them more, because they can’t avoid pain. I thought I wasn’t like that, but lying here in pain after spending the day at the zoo with my kid, I realize that’s where I make this choice. I do stuff with my kid even if it will cause me pain, because pain will come anyway. It’s just a matter of degree.

Finished reading: What I Did For a Duke by Julie Anne Long 📚

Oh wow. I love both main characters in this one. The heroine is so tired of being seen as a reliable dog geyser person. The hero is deliberately prickly and mysterious. I love them.

Finished reading: The Secret Garden by Mariah Marsden and Hanna Luechtefeld 📚

The Secret Garden is one of my favorite books from childhood and this is an excellent graphic novel adaptation that captures its magic beautifully.