πŸ“šπŸ’¬ “Why can’t life work whatever way we want it to? What’s the point of living if you only do it how others want you to?” TJ Klune, The House in the Cerulean Sea


πŸ“šπŸ’¬ “I was supposed to remain comfortably outside the stories with my pen and my notebook.” Heather Fawcett, Emily Wilde’s Encyclopedia of Faeries


πŸ“šπŸ’¬ “He felt lighter somehow. Like he wasn’t paint blending into the wall. He felt real. He felt present. Almost like he could be seen.” T. J. Klune, The House in the Cerulean Sea


πŸ“šπŸ’¬ “Home is where we get to be who we are.” T. J. Klune, The House in the Cerulean Sea


πŸ’¬πŸ“š β€œSometimes silence was the loudest thing of all.” T. J. Klune, The House in the Cerulean Sea


πŸ’¬πŸ“š “Why is it that I must always worry about tomorrows?” T. J. Klune, The House in the Cerulean Sea


πŸ’¬πŸ“š “It was always irksome when an idea went nowhere, but Mika knew by now that there would always be new ideas.” Sangu Mandanna, The Very Secret Society of Irregular Witches


πŸ“šπŸ’¬ “To me intellectual life is fundamentally different from academic careerism.” bell hooks, remembered rapture: the artist at work


πŸ“šπŸ’¬

It is precisely because common structures of evaluation and advancement in various academic jobs require homogenous thought and action… that academia is often less a site for open-minded creative study and more a space of repression that dissenting voices are so easily censored and silenced… it is dangerous for us to allow academic institutions to remain the primary site where our ideas are developed and engaged." bell hooks, remembered rapture: the artist at work


πŸ“šπŸ’¬ “Science fiction is the literature of social and technological change.” Nalo Hopkinson, “What is science fiction for?” in Science Fiction: Voyage to the Edge of Imagination


πŸ’¬πŸ“š “Real life is people leaning on each other when things are hard. It’s loving each other so much there’s no question about facing things together. It’s fighting for each other and with each other and being damned grateful for every morning you wake up together.” The Widow of Rose House, Diana Biller


πŸ“šπŸ’¬ “Love isn’t naΓ―ve, Alva. It’s hope, and it’s faith, and it can outlast buildings and wars and empires.” The Widow of Rose House, Diana Biller


πŸŽ™οΈπŸ’¬

“Sometimes it can be hard when we’re fucking exhausted to choose the thing that feels nourishing.” Lindsay Mack, Tarot for the Wild Soul Episode 229, June Is Breaking Away


πŸ’¬πŸ“šπŸ““πŸ“

No dissertation is worth a lifetime of revision.

William Germano, From Dissertation to Book


πŸ’¬πŸ“šπŸ“πŸ““

Learn how to revise and you will produce a better first book. Remember it and you will enjoy writing the books to follow.

William Germano, From Dissertation to Book


πŸ’¬πŸ“šπŸ“πŸ““

Revision is unromantic, time-consuming, tiring. It is also the only way to make one’s writing better.

William Germano, From Dissertation to Book


πŸ’¬πŸ“šπŸ“πŸ““

Writing isn’t a record of your thinking. It is your thinking.

William Germano, From Dissertation to Book


πŸ’¬πŸ“šπŸ“πŸ““

Revision is a job for optimists.

William Germano, From Dissertation to Book


πŸ’¬πŸ“šπŸ“πŸ““

…the operating instructions of scholarly publishing rarely form a part of graduate training…

William Germano, From Dissertation to Book


πŸ’¬πŸ“šπŸ“πŸ““

Write everything you want published as if there are people who make decisions and work within limited budgetsβ€”their checkbooks, or their libraries' acquisition budgets.

William Germano, From Dissertation to Book


πŸ“ΊπŸ’¬πŸ––πŸ» “I can’t say being equal parts irritating and endearing isn’t slightly familiar.” Picard 3x06, The Bounty. IT ME.


πŸ“šπŸ’¬ “Life is absurd. It has no meaning. But it has beauty, and wonder, and we have to enjoy that.” Frieda Menco, Holocaust survivor, quoted in Amsterdam: A History of the World’s Most Liberal City by Russell Shorto


πŸ“šπŸ’¬πŸ““ “… being transparent about one’s positionality, and choosing a granularity of analysis appropriate to your actual knowledge and experience, are key choices soneone must make as they enter fan studies.” Henry Jenkins, “Textual Poachers, Twenty Years Later”


πŸ“ΊπŸ’¬

Tyler: Come on, don’t you like a day that’s all about you?
Wednesday: Every day is all about me. This one just comes with cake and a bad song.

πŸ–€πŸŒ§οΈπŸ–€


πŸ“ΊπŸ’¬ “It’s not my fault I can’t interpret your emotional morse code.” πŸ–€ Wednesday πŸ–€